标签归档:西安品茶微信

Pindao · Guo Fucheng | On "Disconnection": It is right to work hard as an actor


1905 movie network feature What else can Hong Kong police films do? This weekend’s release provides an answer.The producer and director have boldly moved "financial crime" into the cyber world: actors travel through the screen to dive into the cyber forest, and fight against hackers in the dangerous dark web…



While the various visual wonders refreshed the audience, they also provided the starring actors with an unprecedented performance experience."It showed me a new way out for Hong Kong films, and it also created a new precedent for Chinese films," Guo Fucheng said.



At the same time, "Broken Network" also continued the action scenes that classic Hong Kong films are proud of. Close hand combat, street gun battles, and flying car blasts are all available. Guo Fucheng also did it himself throughout the process, and there was no complaint about "dangerous actions".


He admitted that he had not filmed such a high-intensity action scene in five years, but he still insisted on going into battle in person for the "real" fighting effect, "I think it is appropriate for actors to’work hard ‘, and you should fight for what the director requires!"



In his 34 years of filmmaking, Guo Fucheng has starred in dozens of works. "Seeking innovation and change" and "Daring to challenge" have always been the criteria for his role selection. This time, "Broken Network" is also the same.


"On the movie stage, my pursuit has always been not to be Guo Fucheng and to constantly challenge different characters. This original intention has not changed."


Change and Constant

"’Disconnected’ shows me a new way for Hong Kong films"


Mr. Kwok is a long-time acquaintance of producer Cheng Po Rui, who worked with the former on the "Journey to the West" series, and director Huang Qingxun, who later co-created realistic films with the duo.


What Guo Fucheng admires most is the spirit of courage to break through in the two of them. "Mai Passerby" is a rare realistic theme in Hong Kong films, focusing on the survival plight of marginalized people in society, and this time "Internet Disconnection" can be regarded as an innovation in the theme and shooting methods of Hong Kong-made police and gangster films.



When presenting the theme of Internet financial crimes, the film cleverly uses visual effects to visualize "cybercrime methods" such as money laundering crimes and virus intrusions, and even makes virtual and invisible dark net transactions appear on the screen.


This is also what attracted Guo Fucheng the most about "Broken Network". "Hong Kong movies have always been dominated by action, police and bandits, but in the new era, to give the audience a new sense of stimulation, this time the whole team has worked very hard to create the concept of Internet Forest. This shooting method has created a precedent, and it has also allowed me to see a new way out for Hong Kong movies."



In addition to the whimsical cyber world and the blood-curdling action scenes, the emotional part of "Broken Network" is also very full. Guo Fucheng plays the male protagonist who, in addition to his status as a programming expert, is also a father who loves his daughter as much as his life.


"I’ve never played a father, and everything is centered on his daughter. Because she has a congenital disease, everything he does is to protect her."



Mr. Kwok revealed that the special father-daughter relationship was a reflection of the screenwriter Zheng Borui’s own experience. "During the filming, Zheng Borui’s daughter also had a disease [tumor], and he was always in a state of beating his heart for his daughter. The character of Zhuo Jiajun is a person who loves movies and puts his own experience into movies."


In reality, as the father of two daughters, Guo Fucheng could empathize with this heavy fatherly love. "I put the mentality of being a father in reality and put more emphasis on the movie. He bears more responsibilities than ordinary fathers.



Refuse to repeat itself

"It’s right to work hard as an actor!"


"I haven’t filmed such a fight scene in five years," Guo Fucheng sighed about the super-high intensity of the action scenes in "Disconnected Network".Zhuo Jiajun, who he plays for most of the film, is in the extreme state of being chased and blocked by villains, sometimes fighting hand-to-hand in alleys, sometimes flashing on scaffolds, sometimes falling from the sky, landing heavily, and sometimes fighting in a room of less than a few square meters, hanging by a thread.



The audience was thrilled to see it, and the shooting process was equally thrilling. Guo Fucheng admitted that he was covered in bruises and sore after shooting every day. "After going home, he had to pretend that nothing had happened, saying’Dad is fine, ‘but his legs were already in pain."


Especially the scene where he had to pull the villain down by stepping on the broken glass, the risk factor was very high. "I’m not afraid of fists or swaggers, but that scene was the most thrilling, because you can’t control the glass, and it is very likely that the skin will be cut open after breaking."



In Guo Fucheng’s opinion, although there is a risk of injury, only by going into battle in person and punching to the flesh can the director meet the director’s requirements for "authenticity". This so-called "desperation" is also the actor’s job.


"I think it’s right to work hard as an actor. You should fight hard to achieve what the director wants, so that the audience can see the real fight."



Not only is it about breaking through oneself and challenging difficult action dramas, but "seeking innovation and change" has always been Guo Fucheng’s motto as an actor.


From early "idol" actors to those who gained mainstream recognition with other films, transforming into powerful characters, and then to the vivid characters in various police and gangster films, Guo Fucheng bluntly stated that the first criterion when choosing a role is not to repeat itself.


"I have two stages. On the stage of music, I only be myself and present the true side of Guo Fucheng to the audience, but on the stage of film, my pursuit is not to be Guo Fucheng, but to be a person (character) in the film," Guo Fucheng said. "I will definitely choose a role that I have not played before. I have no burden, have the courage to challenge, and am not afraid of failure."


"Favorites."


Along the way, Guo Fucheng has personally supported a large number of new directors, including Huang Qingxun, who has worked with him twice. He said that the most attractive thing about the new director is the drive of "the newborn calf is not afraid of the tiger", which also gives him more creative space.


Seeing these new directors grow up one after another, Guo Fucheng couldn’t help but secretly "itch", "They all have their own piece of sky, and sometimes they sit down and ask themselves, when will it be me!"



The seed of "director" had been germinating in Guo Fucheng’s heart for many years, and the script was constantly being polished. At present, it could be revealed that this would be a very comprehensive work.


Previously, it was reported that Guo Fucheng planned to fulfill his dream of directing before the age of 60. To this, he responded with a smile, "It’s not a matter of age. If you are someone who likes movies, even if you are in your 70s or 80s, as long as you have the ability and dream, you can do it!"


Li Yuchun talks about cooperation with Deng Chao Qianxi 2021’s biggest regret is related to the concert

     Once again on the stage of the CCTV Spring Festival Gala, Li Yuchun said goodbye to "going it alone" and sang a vibrant song "Sense of the Times" with Deng Chao and Jackson Yee. During a previous chat with Sina Entertainment, Deng Chao once laughed that the three people who worked together for the first time often couldn’t match their eyes at the beginning of the rehearsal, and the "tacit understanding" was to be investigated. Li Yuchun analyzed that "because my personality with Qianxi is a little bit introverted, I may have to find a feeling", but "now it’s very good".

  For a long time, repeated epidemics have hindered countless gatherings, which also made Li Yuchun regret in the past 2021: the concert was cancelled again. Recalling the happiest moment of the year, Li Yuchun believes that it was an online concert spontaneously created by fans to make up for regret: "This was completely unexpected to me, and it really moved me." The New Year is here, and one of her wishes is that the unfinished concert can be held smoothly.

  The sense of the Spring Festival ceremony is to prepare plum blossoms, and to carry out a thorough cleaning before the New Year

  Sina Entertainment: It’s Chinese New Year, how do you plan to celebrate the Spring Festival this year?

  Li Yuchun: This year’s Spring Festival is to spend time with my family at home. Because I don’t have a lot of time with my family this year, I still want to take advantage of the Spring Festival to accompany them at home.

  Sina Entertainment: Going back to Sichuan or picking up your family to Beijing for the Chinese New Year?

  Li Yuchun: Back to Chengdu.

  Sina Entertainment: Every year before going home for the Chinese New Year, will you tell me what to prepare at home?

  Li Yuchun: No. I was wondering, did I ask my mother to prepare anything? It doesn’t seem too special.

  Sina Entertainment: Do you particularly miss anything at home?

  Li Yuchun: For example, yesterday I received a photo taken by my mother. Every year when the Spring Festival is approaching, a large plum blossom will be prepared at home, and the fragrance will remind me that the Chinese New Year is coming soon, so when she took it for me, I suddenly had that memory.

  Sina Entertainment: Is this plum blossom a ritual of the Li family’s Chinese New Year?

  Li Yuchun: I think so.

  Sina Entertainment: Do you have any personal sense of ceremony?

  Li Yuchun: No.

  Sina Entertainment: Not at all?

  Li Yuchun: Many of my childhood habits are more traditional, nothing special.

  Sina Entertainment: Then share with us a habit that you continue to this day.

  Li Yuchun: For example, before the New Year, I will clean my house very well. Hey, when I say it, I seem to have become a very manipulative person (laughs).

  Sina Entertainment: Are you in charge of cleaning?

  Li Yuchun: Yes, all the bedsheets and other things must be refreshed, including the possibility of wearing new clothes on the first day of the new year, which is a very traditional habit.

  Sina Entertainment: So you clean up, Mom and Dad can eat melon seeds and watch.

  Li Yuchun: No (laughs). Together.

  Sina Entertainment: If I follow you back to your hometown for the Chinese New Year, teach me two auspicious dialects that can communicate with the elders.

  Li Yuchun: I will teach you a difficult one. It is related to a blessing I sent today, because I just got that blessing before, but it is actually a bit difficult for Sichuan pronunciation, called Fu Hu Ji Xiang (Sichuan dialect pronunciation, the first two words are FU sound).

  Sina Entertainment: "Fu Fu" is auspicious, in Sichuan dialect, right?

  Li Yuchun: Yes, I find it very confusing to speak in Mandarin, but in Sichuan, it is "Fu Fu" and auspicious.

  Sina Entertainment: If I give you a temporary exam question now and ask you to say a tongue twister, would you be OK?

  Li Yuchun: Not OK! It’s difficult, I think.

  Sharing the experience of cooperating with Deng Chao Jackson Yee, claiming that playing mahjong and grabbing red envelopes is not good

  Sina Entertainment: Share your program at the CCTV Spring Festival Gala this year.

  Li Yuchun: The song I sang is called "Sense of the Times". This time, it is a song that I collaborated with Deng Chaochao and Jackson Yee. It is a song full of youth and vitality.

  Sina Entertainment: I interviewed Brother Chao before. He said that he was very nervous about going to the Spring Festival Gala for the first time. He also sent you WeChat to ask you what to do. Did you teach him any skills?

  Li Yuchun: There are some communication skills, such as what to do if he forgets words, and what to do if he can’t remember some words. I said you can make up a dance to memorize it.

  Sina Entertainment: So this rehearsal, do you think he took your approach?

  Li Yuchun: Because he really performs differently every time, I think he is looking for the best state, and he may also try some different moves or something, so I don’t know which one is certain now.

  Sina Entertainment: He also said that you have discussed it offstage, and you can make eye contact with each other on the stage, but it seems that during the previous rehearsals, the three of you never had the right eyes.

  Li Yuchun: There will be a little bit, because after all, it is the first time to cooperate. In addition, Qianxi and I are a little introverted, so we may have to find a feeling. At the beginning, we didn’t get along a bit, but now we are doing well.

  Sina Entertainment: Share the styling of this year’s CCTV Spring Festival Gala.

  Li Yuchun: I think the style of this year’s CCTV Spring Festival Gala is very festive, a kind of festive Spring Festival Gala. This year because this song is also more positive and lively, the whole feeling is festive.

  Sina Entertainment: In addition to watching the Spring Festival Gala, what other activities do you usually have to get together on New Year’s Eve?

  Li Yuchun: Watching the Spring Festival Gala, chatting and eating, and Chengdu people playing mahjong.

  Sina Entertainment: Are you at the table?

  Li Yuchun: When there is a shortage of people, I will fill it up.

  Sina Entertainment: How are you playing?

  Li Yuchun: I really can’t.

  Sina Entertainment: So who is the top mahjong player in your family?

  Li Yuchun: I can’t say that about my mother.

  Sina Entertainment: You’ve just revealed the answer.

  Li Yuchun: I don’t think she can, but she thinks she can, but I definitely can’t.

  Sina Entertainment: Anyway, I ranked myself third.

  Li Yuchun: Let me rank a few, we have too many relatives in our family.

  Sina Entertainment: When do you usually send out your Chinese New Year greetings?

  Li Yuchun: New Year’s Eve or around the third day of the new year.

  Sina Entertainment: Do you send personalized blessing text messages or copy and paste group messages?

  Li Yuchun: I don’t copy and paste very much.

  Sina Entertainment: Are you the type of person who spends a lot of time writing text messages?

  Li Yuchun: Okay, I think it’s definitely better than copying and pasting.

  Sina Entertainment: Do you send red envelopes to everyone? When is it usually sent?

  Li Yuchun: I will not send red envelopes to the elders, but to the younger generation, children at home, colleagues in the company, or my good friends.

  Sina Entertainment: Are you a generous friend?

  Li Yuchun: Sending red envelopes is an unlimited thing, and I dare not say that I am generous.

  Sina Entertainment: It’s good that everyone is happy, and you have fun grabbing red envelopes.

  Li Yuchun: Yes.

  Sina Entertainment: Do you have any chance to grab red envelopes in some groups now?

  Li Yuchun: I can grab red envelopes in our elders’ group, because the young people’s group moves quickly and the number is limited, which is usually the case. But the elders generally take care of a lot, and sometimes there will be more, just the kind that has been left there and no one grabs it. You can pick up a few.

  Sina Entertainment: It feels like you’re picking up the leak.

  Li Yuchun: Yes.

  Sina Entertainment: So is it good luck to pick up red envelopes every time?

  Li Yuchun: Not so good.

  2021 Annual Summary: The most regrettable concert cancellation, the happiest to see fans organize online activities

  Sina Entertainment: What are the low moments or regrets in 2021?

  Li Yuchun: The concert has been cancelled again.

  Sina Entertainment: So how did you spend those days yourself?

  Li Yuchun: I spent it in a comprehensive mood, including being particularly depressed, irritable, and crazy. There are not only one state of ups and downs.

  Reporter: I hope to hold this concert if I have the opportunity this year.

  Li Yuchun: Yes.

  Sina Entertainment: What are the moments that make you feel happy in 2021?

  Li Yuchun: Before the concert was completed, the fans held an online concert, which was completely unexpected for me and really moved me.

  Sina Entertainment: Are there any small tears?

  Li Yuchun: It’s a little more joyous, but when I think about some of the things behind it, I feel really touched and moved.

  Sina Entertainment: Share one of the most memorable work experiences of 2021.

  Li Yuchun: I think it should be to participate in the 100th anniversary of the founding of the party. That work experience is indeed something I have not experienced since I started my career. Rehearsing with everyone and participating in a performance at a very important moment will be quite unforgettable when I think about it.

  Sina Entertainment: What if you want to challenge something that has never been done before in 2022?

  Li Yuchun: I didn’t think about it.

  Sina Entertainment: Challenge to sweep the building at the office of Sina Entertainment.

  Li Yuchun: Okay, I’ll go sweep the building when I release the album!

  Sina Entertainment: Finally solitaire, a question for the next artist who comes to chat with us.

  Li Yuchun: Do you want to go sweeping together? Is that okay? I don’t know who was dragged into the water by me.

  Sina Entertainment: Answer the question of the last artist Wang Mian, when can I collaborate with Wang Mian on a music talk show?

  Li Yuchun: He can’t do this casually, right? There are certain difficulties. I’ve seen his performance, and I think it’s quite interesting, and he also plays and sings by himself, so I think it’s possible, because it’s not a ballet or something, I can’t do it, I think it can still be done.

  (Yiwen/Wen Wang Yuanhong/Photography, Wang Cian/Videography)

From a chubby boy to a muscular male god, Peng Yuyan’s counterattack experience is too inspiring

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  During the National Day holiday, the main theme film "Mekong River Action" won the top three in film placement, attendance, and box office. The good reputation allowed this bloody film to break out of the small fresh meat siege and inject rare male hormones into the current film.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  The plot of the movie itself is quite good, but what attracts many fans more is Peng Yuyan’s rough and black man’s shape, unconcealed masculinity and bursting hormones.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In fact, looking back at Peng Yuyan’s growth history, you may not know that he also had an inspirational experience from fat scum to male god. After graduating from primary school, he was less than 150 in height but weighed more than 70 kilograms. In middle school, he was nearly 160 in height and his weight soared to 75 kilograms. Fortunately, in his third year of high school, he realized his obesity problem in time and decided to lose weight through exercise.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  When Peng Yuyan lost weight successfully, he quickly turned from a fat boy into a handsome boy next door. When Peng Yuyan first debuted, he had a baby face and no 8-pack abs. For a long time, he was a slender and gentle flower man.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Many people think that it is no problem for him to rely on his appearance to eat. But he did not, but started a completely different kind of open life, and it is sports and fitness that have made today’s national male god Peng Yuyan.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  The 2011 release of "Roll Over, Ashin!" opened the door to a new world for Peng Yuyan, who has always been an idol – not only won the Golden Horse Award for Best Actor nomination, but also embarked on the road of a muscular male god. It can be said that because of this play, there is today’s abdominal male god.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  The film describes Ashin, who has an excellent athletic talent since childhood, being deeply attracted by gymnastics by chance and gradually stepping into the world of gymnastics. However, under the opposition of his mother, Ashin withdraws sadly. Finally, he is determined to pursue his dream again, and with the encouragement of friends and family, he finally reaches the sky. At 1.82 meters tall and with a beautiful male face, Peng Yuyan plays a gymnast. Before the filming started, many people were not optimistic about it, but when the movie came out, they knew they underestimated Peng Yuyan.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  There is such a line in the movie: "There is only one chance to turn over, you just have to do your best." For the role of Ashin, Peng Yuyan, who has zero foundation, spent half a year eating and sleeping with gymnasts, and achieved the state of one-year training for ordinary people in two or three months. The degree of effort is simply not too hard, simply put – beyond ordinary people.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  The first time Peng Yuyan met with Ashin’s real prototype in the gymnasium in Yilan, he was beaten up. At that time, Ashin himself asked Peng Yuyan to try his skills, but Peng Yuyan practiced on the horizontal bar a few times, and his hands were worn out.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  The coach next to him didn’t say a word. He used scissors to cut off his scratched hand skin, tied it with a bandage, and asked him, "Can you hold it? Gymnastics is not something that anyone says can be practiced. If not, go back to your Taipei to shoot idol dramas."

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Of course I can’t go back to Taipei! Peng Yuyan was ruthless to himself and started a high-intensity training of more than ten hours a day for eight months. In order to motivate himself, he also made bets with the crew, such as practicing backflips. If the film is successful, the director will invite him to dinner, otherwise he will invite him. As a result, he invited many days for meals, but even if he invited him to dinner, he tried not to touch greasy and high-calorie food.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In order to get the body of a gymnast as soon as possible, Peng Yuyan maintained high-intensity training while also being very restrained about things. He could only eat a small amount of staple food and boiled vegetables every day, and he relied on boiled chicken breasts and egg whites for fullness. "I will vomit, no one will be so crazy" he laughed at himself!

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  From the male lead in idol dramas that everyone loves to see his face, to the movie actor who talks and acts like what he looks like with his strength, Peng Yuyan spent half a year proving himself to be a real actor with a "Ah Xin", "Roll Over! Ah Xin" also made him shortlisted for the Best Actor at the 48th Taiwan Golden Horse Awards, which was the first time he was so close to the Best Actor.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Peng Yuyan said that this experience is very valuable to him, and while he is young and enthusiastic, there are still many roles to try. No matter what the outcome of this attempt is or how difficult the process is, it is a good exercise.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  "If you only have one chance to turn over in your life, you must do your best." This line in the movie is also a portrayal of Peng Yuyan himself.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  There is an idiom in China called water comes naturally, which means that wherever water flows, there will be channels, but without channels, there will be water flowing. Peng Yuyan’s efforts are like digging one channel after another for himself. His efforts and hard work have won him a good reputation and many film contracts.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In 2013, "Guild Wars" made Peng Yuyan and Zhang Jiahui two old fresh meat set off the climax of "muscle warfare". Shooting "Roll! A Xin" has been trained to 6% body fat, and by "Guild Wars", it has become 3%. Clear muscle lines, developed arm muscles, thick back muscles, bronze skin, and an inverted triangular figure are enough to make fans scream.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Peng Yuyan’s muscle training is also a quick success, and he received satisfactory results in three months. "I get up at seven o’clock every morning and start practicing until noon, then take a shower and eat lunch to make up for it, and start the same practice in the afternoon. I get soaked in several clothes every day. Exercise for two or three hours every day, and practice boxing for four or five hours."

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  When practicing indoors, it includes the process of reducing abdomen, building abdominal muscles, and sculpting abdominal muscles. Every day, parallel bar leg lifts, leg lifts, abdominal curls, pedal in the air, and side curls are all commonplace. Ordinary people can also do these exercises.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In addition, the crew also took the actors to outdoor training, such as lifting tires and pulling chains.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In order to play this harder and tougher role, Peng Yuyan hired a professional fighting coach to unlock new skills: MMA (mixed martial arts), Muay Thai, Brazilian Jiu Jitsu, lock skills…

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In order to find the most authentic feeling of a boxer, Peng Yuyan trained for 2-3 hours a day and practiced MMA mixed martial arts, Muay Thai, and Brazilian Jiu-Jitsu for 4 hours. It is said that he was beaten by his coach for more than 200 punches every day.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Peng Yuyan once said that he enjoyed such devil training very much. He said: "Boxing has always been my favorite. I spent two months practicing every day, and now when I go back to Taipei, I still find boxers to fight. This is a good way to relieve it, and it is good for future action movies."

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  A little sweat, a little gain, Peng Yuyan finally won the Golden Horse Award and the Academy Award with "Guild Wars", director Lin Chaoxian bluntly said "I didn’t see the wrong person".

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  It is because of his participation in "Guild Wars" that he has reversed the image of the "gum advertising man" in most people’s minds.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  I wonder if 28-year-old Peng Yuyan ever imagined that there would be so many action movies waiting for him in the future, and one of them was even "Huang Feihong".

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In the movie "Huang Feihong’s Hero has a Dream", Peng Yuyan performed the most beautiful Huang Feihong in history, and it was also his hardest play ever.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  "I grew up watching the movie Huang Feihong. All boys have a dream of kung fu. I am very proud to play such a national hero, but I am also afraid." It was this fear that made Peng Yuyan willing to put himself at the lowest level and start from scratch.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In order to present the Huang Feihong we finally saw, Peng Yuyan spent a whole year practicing martial arts, spending a lot of effort on movement, appearance, and inner state, and finally the whole spirit was integrated into Huang Feihong’s world.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Peng Yuyan started training for eight hours a day. Peng Yuyan tortured himself half to death just by pressing his legs and pulling tendons. He did lessons according to his schedule every day and had to review his room before going to bed at night.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Because of "Wong Fei Hung", Peng Yu Yan was shortlisted for the Hong Kong Academy Awards for Best Actor. Although he lost in the end, "Wong Fei Hung’s Hero Has a Dream" is an extremely important work in Peng Yu Yan’s acting career from any perspective. Peng Yu Yan said that everyone will have highs and lows. If I can do it from not knowing kung fu to playing Wong Fei Hung, you can do it too!

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  In 2015’s "Breaking the Wind", Peng Yuyan played a professional cyclist who rode all the way, almost three and a half times around the earth. Later, they learned that Peng Yuyan also fell in love with cycling in real life, and then they felt… "There is simply no better candidate than Peng Yuyan!"

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Don’t think it’s easy to play a cyclist. For this movie, Peng Yuyan rode every mountain in Hong Kong. Two months before the movie started filming, Peng Yuyan conducted special training under the guidance of Hong Kong cyclist Qiu Duoming. He rode for 6 or 7 hours a day, and at most, he rode for 200 kilometers a day.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  I have been practicing since March and April, and I have been shooting all the way to the end of October. "The specific training content includes: riding an average of 120 kilometers a day for a consecutive month, 10 kilometers in the morning physical training, 60 minutes of balance training; 80 kilometers in the afternoon road sprint training and endurance training, and 3 hours of light aerobic training in the evening.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Ten days before the start of filming, Peng Yuyan returned to Taiwan for pre-shooting special training with other actors and riders. In addition to the 10-kilometer field ride every day, he also went to the gym to continue practicing. Director Lin Chaoxian directly called him "Physical Demon".

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Because of the serious practice, Peng Yuyan joked that his body has reached the level of automation: "Even when I sleep, my whole body is doing aerobic breathing, burning calorie, and speeding up perspiration."

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  For the movie "Breaking the Wind", he trained for a long time according to the standards of professional athletes, and finally obtained a certificate for the use of a bicycle track.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  It is worth mentioning that the performance of "Breaking the Wind" made Peng Yuyan the first Chinese Goodwill Ambassador of the Tour de France in 112 years.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  This is because during the filming, Peng Yuyan actually traveled across many countries and cities for cycling shooting, traveled around the world and met many friends, including the Italian car king Rui Costa! It is said that the car king took the initiative to take a selfie when he saw him, and even uploaded it to social networks, making Peng Yuyan a celebrity in the European cycling industry as "Chou Ming" (the character in "Breaking Wind") on the spot.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Now fitness has become a part of his life, even if he is busy late at work, he has to go to the gym to rest after exercising!

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Peng Yuyan said that when he is in a bad mood, he will do what he wants to do, find something that makes him happy, think I just go to exercise, and sports will make him happy. If you practice for a few more hours, you may not be better than others, but if you don’t practice, you will definitely lose. Your time is limited, don’t live for others.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Someone once asked Peng Yuyan what he relied on for his current success, and he said, "Probably luck." Liang Jiahui on the side corrected him, don’t keep talking about luck, everything you are now depends on your hard work!

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  Peng Yuyan said: "I just don’t have talent, so I fight with my life." Step by step, Peng Yuyan walked very steadily every step.

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  As Gao Cheng said in "Soldier Assault", every time he does a small thing, he grabs it like a life-saving straw. One day I look at it, wow! Good guy! He is holding a towering tree that I have already looked up to. Why isn’t Peng Yuyan like this?

  From a chubby boy to a muscular male god, Peng Yuyan's counterattack experience is too inspiring

  This is Peng Yuyan’s counterattack from a chubby boy to a muscular man. Life is like a play, and play is like life!

Cannes award-winning film "Dog Formation" exposes stills, Peng Yuyan black dogs redeem each other


1905 movie network news Directed and starring, the Cannes double-prize film is currently in theaters.At the 77th Cannes International Film Festival, the film won the best film in the "One Focus" section and the "Golden Palm of Dogs" jury award. The story of the redemption and rebirth of one person and one dog in the film is easy to understand and full of power. The core of the film’s message of "daring to step out of the comfort zone and dare to start again" reaches the hearts of the audience.


Recently, the film revealed a set of stills of Jiro and the black dog "redeeming each other". Peng Yuyan played Jiro and the black dog, from the beginning of not knowing each other, to huddling together to keep warm and snuggling each other, redeeming each other in the lonely reality. Two souls with "mirror destiny" outline the wordless company between humans and dogs.


The story of "Dog Formation" takes place in a small town in the northwest region. The desolate scenery on the Gobi desert, combined with Peng Yuyan’s original performance, rendered the film’s "uninhibited and wild" temperament. The director Guan Hu rarely uses close-ups, using "large panorama" and "long shots" to record the true appearance of the northwest region. This "quiet and restrained" audio-visual technique highlights the film’s "lonely" atmosphere.


In the film, the mutual redemption of Jiro and Black Dog also resonated widely. Some viewers commented: "’Dog Formation’ is not an ordinary pet movie, Jiro and Black Dog do not have the saying that one is attached to the other. On the contrary, they are two independent individuals who inspire each other and redeem each other." Jiro is labeled as a "parolee", Black Dog is labeled as "rabies", and two incompatible souls are attracted to each other, which makes people see the touch of wordless company, and also makes people more shocked by the power of life.


In the movie, Jiro returned to his hometown after leaving his hometown for more than ten years, only to find that everything here had long been different, familiar and unfamiliar. The residents of the town kept moving out, and the hometown lost its former vitality. In the face of the human society of the town, the silent Jiro also seemed difficult to integrate, and the friends who once formed a band no longer mentioned their dreams.The confusion, search, collision and re-departure of Jiro in his hometown aroused the resonance of many audience members. Some audience members lamented that "everyone who is adrift will have a moment when they return to their hometown and feel the same way about Jiro."


In the eyes of the audience, "Dogs" is not a "dramatic" story, but a "real life" that can make people empathize. At the end of the movie, Jiro failed to cross the broken bridge, but regained his smile and sped in relief on the wilderness. The audience expressed that they were deeply moved. "The ending of the movie is real and powerful. In the face of changes in the environment, Jiro maintained his inner self-consistency and found a new way out in the wilderness of life. Very touched."


The movie "Dog Formation" is directed by Guan Hu, starring Peng Yuyan and Tong Liya, and is being screened nationwide.

There are more and more flexible employment workers such as ride-hailing drivers, delivery riders, and chauffeur drivers – have you ever had "odd jobs" after get off work?

  Xu Junzuo (Xinhua News Agency)

  In Rongjiang County, Qiandongnan Miao and Dong Autonomous Prefecture, Guizhou Province, a ride-hailing driver is scrubbing his car. Photo by Li Changhua (People’s Vision)

  Photographer Xiao Yang takes photos in his spare time and uploads them to commercial photo websites to increase his income. The picture shows Xiao Yang taking sunrise in Beidaihe Scenic Area, Qinhuangdao City, Hebei Province. Photo provided by the interviewee

  Chart source: "2019 China County Gig Economy Survey Report"

  On September 16, at 5 pm, Master Zhang got off work. Sitting in his car, he opened a certain online car-hailing software, and he changed from a corporate employee to an online car-hailing driver. "After get off work every day, I go home early and I am idle. It is better to drive an online car-hailing car and earn some gas money," Master Zhang told reporters.

  At around 8 pm, Master Zhang finished work and went home. "I just treat it as a side job. If I feel tired one day, I will go home directly after get off work."

  Nowadays, more and more office workers like Master Zhang have started to take "odd jobs", and even many people have started to take "odd jobs" full-time. Online ride-hailing drivers, delivery riders, chauffeurs… There are more and more flexible employment people, and the "gig economy" is quietly emerging.

  From "gig jobs" to "gig economy"

  Speaking of "odd jobs", Old Li, who is in his 60s, suddenly thinks of his father. "My father has a formal job, but after get off work, he always goes to some factories and shops to do some manual work to earn some extra money and support the family." Old Li has four brothers and sisters. In that era, it was not easy for his father to support the family.

  Old Li’s father’s experience should be known to some elderly people, especially the "post-50s" and "post-60s". Even if they have not experienced it personally, many of their relatives and friends have had similar experiences.

  In the late 1970s, along with the reform and opening up, township enterprises in the southeast coastal areas sprang up, but they lacked both technology and equipment.

  As a result, the government and companies hire engineers from local retired skilled workers or factories and research institutes in cities like Shanghai, Nanjing and Suzhou to solve technical problems and improve product quality. These people are called "Sunday engineers." "They usually work in their respective positions and use weekends to go to township enterprises part-time to help enterprises overcome difficulties," said Jin Ge, a researcher at Peking University.

  The economy is developing rapidly, and "odd jobs" are becoming more and more common. "Although some enterprises or factories have a lot of demand for employment, due to the lack of advanced information technology, they cannot match in time," Jin Ge said.

  This mismatch between supply and demand was gradually broken by the birth and development of the Internet, and began to develop towards the "gig economy".

  The "gig economy" refers to a short-term, flexible form of work that is different from the traditional "9-to-5", using the Internet and mobile technology to quickly match supply and demand.

  Yan Fei, associate professor of sociology at Tsinghua University’s School of Social Sciences, pointed out that the most important feature of the "gig economy" is its dependence on Internet technology, and its work content has been greatly expanded, including manual labor such as takeout and express delivery, as well as remote business and delivery work through online platforms, such as professional services for online legal and financial consulting, creative and multimedia services, online marketing support, software and technology development, writing and translation.

  At the end of last year, the "Development Status, Social Impact and Policy Recommendations of the Gig Economy in the Internet Era" released by the Institute of Economics of the School of Social Sciences of Tsinghua University showed that the "gig economy" is increasingly becoming an important force to promote "new employment forms" and a new growth point to promote high-quality development of the national economy. In 2019, China’s "gig economy" contributed 10.43% to the total GDP increase. It is expected that by 2035, this proportion will increase to 13.26%, accounting for 6.82% of GDP.

  The new form of the "gig economy" is sweeping the world. Data show that in the United States and Europe, 10% to 15% of the working-age population make a living through "gig work", and another 10% to 15% use "gig work" as a side job outside their main job. The actual number of participants exceeds 160 million.

  "A hobby can also bring a lot of benefits"

  The traditional "gig job" model uses the "enterprise-employee" model, where companies provide positions and individuals apply for positions. After all, individuals are still part of the company. The "gig economy" has changed this model and transformed it into a "platform-individual" model. The platform provides employment needs and individuals make choices. This is an upgrade of the traditional model. It is not only companies that can publish their needs on the platform, but also individuals.

  Taking online car-hailing as an example, individuals need to use a car, post their car needs on the online car-hailing platform, and the online car-hailing driver grabs the order to meet the customer’s car needs. Customers pay the fare, which can be regarded as compensation. Couriers, takeaway riders, and chauffeurs all adopt this new model.

  "The platform has become a medium for the connection between the labor provider and the demand side in the’gig economy ‘, enabling the rapid matching of supply and demand." Zhang Xiaheng, an associate professor at the business school of Northwestern University of Political Science and Law, believes that this is an important reason why a large number of workers with supply capacity, working hours and skills prefer to take "gig jobs".

  Xiao Yang is a programmer who loves photography and often takes pictures with his camera around in his spare time. When he takes good-looking photos, Xiao Yang will upload them to some commercial photo websites. Every time the pictures are downloaded, he can get a corresponding share, and he can earn hundreds of yuan a month by taking pictures.

  Not only that, with the improvement of technology, Xiao Yang has gained some fame. Some commercial shooting activities will also find him as a full-time photographer, with compensation ranging from a few hundred yuan to thousands of yuan each time. "I really didn’t expect that a hobby can bring me a lot of income!" Xiao Yang said with a smile.

  This is the charm of the "gig economy". Pay is settled in real time and strictly follows the principle of more work and more pay. For example, Xiao Yang, the more times his photos are downloaded, the higher his income; the longer he participates in commercial shooting activities and the more films are produced, the higher the fee paid to him. "Many young people now rely on’gig work ‘to earn more income than their own jobs," Jin Ge said.

  Relative freedom of time, no fixed location, and self-determination of content are also characteristics of the "gig economy". Another feature is a distinct feature of the Internet – customer reviews. Those "gig economy" workers with more high-quality reviews can reap more opportunities and higher incomes.

  Based on this, more and more young people are joining the ranks of "gig economy" workers. The hot "slash youth" in the past few years is the prelude to the "gig economy". Young people are no longer satisfied with only one job and only one identity. Some young people who have spare time and time will try more careers according to their abilities and interests.

  Yan Fei said that as an emerging economic model, the "gig economy" has broken through the limitations of the traditional economic model in time and space, reduced the cost of market information transmission, provided employment opportunities for more workers, and provided strong support for the orderly operation of the economy and society.

  Strengthen the protection of practitioners

  Xiao Wang is an illustrator who is a freelancer and uses an order-based cooperation model. "If I have inspiration during this time, I will take a few more orders. If I feel tired, I will contact less. It mainly depends on my mood." Xiao Wang said.

  Flexible working hours make Xiao Wang happy, but he also faces some problems, the biggest of which is social security.

  With the further development of the "gig economy", many people may choose to give up their main occupation and start full-time "gig work". This phenomenon is becoming more and more common in industries such as online ride-hailing, food delivery, live broadcast, etc. Other freelance jobs will also have more full-time gig workers in the future. How to protect the pension insurance, medical insurance and labor rights of these practitioners needs to be solved urgently.

  According to data released by the Ministry of Human Resources and Social Security, the number of flexible employment practitioners in China is about 200 million, and a considerable number of them are "gig economy" practitioners. According to relevant agencies, by 2036, the number of "gig economy" workers will reach 400 million.

  Since last year, food delivery riders have attracted great attention from the society due to their high-intensity work and low level of security. Many people have begun to reflect and call for strengthening the protection of labor rights and interests of new business practitioners, including the "gig economy".

  To this end, in July this year, the Ministry of Human Resources and Social Security and other 8 departments issued the "Guiding Opinions on Safeguarding the Labor Security Rights and Interests of Workers in New Employment Forms", which clearly "urges enterprises to participate in social insurance according to law. Enterprises should guide and support workers in new employment forms who do not fully meet the conditions of establishing labor relations to participate in corresponding social insurance according to their own circumstances"; 7 departments, including the State Regulation for Market Regulation, issued the "Guiding Opinions on Implementing the Responsibilities of Online Catering Platforms and Effectively Safeguarding the Rights and Interests of Takeaway Meal Delivery Workers", urging the platform to participate in social insurance for takeaway food deliverymen who have established labor relations

  "If these’gig economy ‘workers are not included in the social security system, it will exacerbate the risks associated with population aging." Jin Ge said that only by participating in social security can the worries of new business practitioners be effectively alleviated, and the overall consumption structure and population structure of society can be expected to be optimized.

  The supervision of platforms and enterprises should also be in place to prevent the occurrence of "policies above and countermeasures below". In this regard, Zhang Xiaheng suggested that relevant departments should increase the punishment of violations of laws and regulations through regular or irregular sampling and verification, improve the "gig economy" platform and the employment environment of enterprises, and effectively protect the legitimate rights and interests of practitioners.

  In addition, many experts suggest that the construction of commercial insurance, especially commercial endowment insurance, should be accelerated. In May this year, the China Banking and Insurance Regulatory Commission issued a notice to launch a pilot of exclusive commercial endowment insurance, starting from June 1 in Zhejiang and Chongqing. It is understood that exclusive commercial endowment insurance will be more flexible in terms of payment and welfare, which will be more in line with the actual situation of flexible employment, which will provide more choices for practitioners of the "gig economy".

The rise of domestic soda, the kiln solidifies its core business capabilities

China Consumer News reports(ReporterSun Wei)In recent years, with the rise of Guochao brands and the recovery of the catering consumer economy, domestic soda brands have either relied on "retro" classic products or carried out product innovation based on the brand foundation, launching more beverages that are more suitable for the tastes of contemporary young people. With the high temperature this summer, they have come into the hands of consumers.

According to the National Bureau of Statistics, the total retail sales of consumer goods in the first half of the year was 22.7588 trillion yuan, an increase of 8.2% year-on-year, of which catering income was 2.4329 trillion yuan, an increase of 21.4%. With the booming food and beverage consumption, Dayao soda took advantage of the trend and made efforts in product innovation and brand marketing. With differentiated product strategies, it firmly occupied the "C position" of the "big soda" category. It made full efforts from taste innovation, product packaging to production capacity construction to build a rich and diverse product matrix and set a category benchmark for the big glass bottle soda.

It is understood that Dayao soda, as a representative of Inner Mongolia’s established beverages, has been a regional brand in the past few decades. With the development of the beverage industry, Dayao, which is unwilling to be in a corner, has begun to plan a supply chain system, build a production base, and enter the national market.

According to Luo Yun, executive director and executive deputy general manager of Dayao, Dayao has ten production bases in the country, which has laid a solid foundation for the layout of the national market, and strives to ensure the freshness of products at the shortest distance and the fastest speed, so as to efficiently deliver products to tables around the country.

"Although Dayao is very popular in the northern market, I was still a little worried when I first started selling Dayao in the store. I was not sure whether southern consumers would accept this domestic soda brand from Inner Mongolia." The owner of a restaurant in Hangzhou said that he did not expect Dayao to rank among the top three in the sales of drinks and drinks in the store after a month.

Su Caiyan, marketing director of Dayao, told reporters that the price of the 520mL soda currently promoted by Dayao is comparable to the common 330mL soda, with larger capacity, more favorable price and better quality. In large and small restaurants across the country, Dayao can always become the best partner for hot pot, barbecue and other delicacies. Eating spicy or fragrant food and drinking a mouthful of Dayao soda will bring a sense of relaxation and satisfaction all at once.

In addition to the price advantage, Dayao has also made efforts in product and brand marketing. In product packaging, Dayao has launched new PET packaging products, focusing on young and portable trendy styles; in terms of taste innovation, it has launched trendy drinks such as "Dayao Lixiang", "Fun Sparkling Soda Water" and "Dayao Fruit Steam" series, as well as "Pomelo Love Honey" Honey Pomelo Gas Tea and "Dayao Energy Coffee" energy drinks. This not only fits the younger generation’s self-satisfaction driven by emotional value, but also breaks the circle for Dayao and expands more consumption scenarios.

Industry analysts point out that food and beverage companies are not only competing for brand capabilities and channel capabilities, but also for product capabilities, operational capabilities and supply chain capabilities. Taking Dayao as an example, with a radius of 500 kilometers for each factory, the top ten production bases can cover the whole country. Moreover, Dayao has state-level green factories and intelligent workshops, which can ensure stable quality output, full traceability, and flexible production through lean management to improve operational efficiency.

Luo Yun said that with the recovery of the market and more and more diverse consumer demand for carbonated beverages, the market potential of carbonated beverages in our country is huge. I believe that in such a broad market space, domestic soda has good development prospects.
 
 
 

The new Lynk & Co 06 real car is exposed, with a 1.5T four-cylinder engine, which is expected to be launched within the year

Lynk & Co., as a high-end car brand under Geely, I’m sure all car fans and friends will not be unfamiliar with it. In recent years, its development speed can be described as very rapid. It has continuously laid out and enriched its own models. Coupled with the improvement of technology and quality, it can be said to have won the favor of many Chinese people. Among them, as a small SUV-Lynk & Co 06 in the family, it once became the first choice for many young friends to buy cars. Recently, the editor obtained a set of real car pictures of the new Lynk & Co 06 from relevant channels. What are the highlights of the appearance of the new car? Let’s follow the editor to find out.

The new Lynk & Co 06 is expected to be officially launched this year, so for friends who want to buy the Lynk & Co 06, they may wish to wait until the new car is officially launched. In terms of styling design, the new Lynk & Co 06 basically continues the design style of the current model. The front face is penetrated with an air intake grille, the interior is blackened, and the "frog eye" headlights with LED light sources on both sides, as well as the three-stage design surrounded by the bottom, thus giving people a youthful and dynamic visual experience. In terms of the side body, the new car has also not undergone too obvious changes. The simple and smooth waistline outline adds a sense of strength.

It is worth mentioning that the new car will also offer a two-color body and a variety of rim styles to choose from, so as to meet the individual aesthetic needs of different young consumers. In terms of body size, the length, width and height of the new Lynk & Co 06 are: 4340/1820/1625mm, and the wheelbase is: 2640mm. This body data is basically consistent with the current model, and has not been significantly improved. The rear part of the car looks very layered. The blackened taillights on both sides have a good degree of recognition after lighting up. The exhaust layout of the two sides below has improved the sporty atmosphere to a certain extent. As for the interior design, it is expected that the new Lynk & Co 06 will continue the design of the current model, but some details and configurations will be adjusted to a certain extent.

In terms of power, the 1.5T three-cylinder engine equipped with the current Lynk 06 has been ridiculed by many fans and friends. Now the new Lynk 06 has been replaced with a four-cylinder 1.5T engine with a model of "BHE15-EFZ". In terms of transmission, it will be matched with a 7-speed wet dual-clutch gearbox. What do you think about this move? In terms of price, the current Lynk 06 price range is: 11.86-13 9,800 yuan. As a reference, it is expected that the new Lynk 06 will be officially launched. The price should not be significantly improved. What do you think the starting price of the new car is appropriate? For the new Lynk 06, are you optimistic about its arrival? Welcome to communicate and discuss together below. (18/edit)

Note: The pictures are from the Internet, and the rights belong to the original author. Thank you together! This article only represents the author’s personal opinion and does not represent the position of Youshi Auto.

The golden segment of the TV series "Wind Chaser" ranks first: Confucianism is rising, Wanda is speeding up

Author | reed notes

Chaoyang, the first transparent blue screen window

Unbearable to look back, go to the foreign market

So…

A low and tactful pingtan sounded in his ears, and the focus of his eyes followed the protagonist. Before he woke up, he got up first, pressed his messy hair in the mirror, grabbed the washbasin and ran downstairs to wash up, carefully avoiding the landlord Aunt Zhou who "offended" yesterday because of stock trading. Rushing back to the room to put on socks, he found a hole, stuffed it in, bent down and took out his old leather shoes to polish, put on a gray scarf with a fluffing ball, and opened the door. Aunt Zhou stood outside the door…

This is a less than 2-minute scene in the first episode of "Wind Chaser", where the protagonist Wei Ruolai is preparing for an interview at the central bank. Director Yao Xiaofeng spent three days shooting more than 20 shots, and quickly outlined the protagonist’s character at the beginning, setting the tone for the little person’s growth in the times.

It is such rich details and skillful control of the camera that make this financial-cut drama of the Republic of China appear in the circle with "texture" on the first day of broadcast. The true and delicate tone of the screen, the comparison of the fireworks on Qibao Street with the setting of the "Shili Yangchang" in Greater Shanghai, and the ingenious editing of the intersection of the exchange and the fierce gunfight between the streets have become the topic of hot discussion among netizens.

The integration of "movie + TV series" and the strong word-of-mouth trend have helped "Wind Chaser" become the most popular drama in iQIYI’s premiere this year and the fastest to break 8000. At present, the popularity has broken 9,000, and the volume has broken 100 million in 4 days. The audience ratings broadcast on the central eight are also rising. Data show that "Wind Chaser" went LIVE the next day and became the first audience rating in prime time, and achieved a peak of 2 yesterday.

The creators revealed in interviews that the creation of "The Wind Chaser" took six years and the process was extremely difficult. The entry of Chen Zhixi and Ruyi Film, and the addition of the creators led by Wang Yibo, became the key to the turnaround of this drama.

It is worth noting that two companies, Ruyi Film and Wanda Film and Television, have appeared among the co-producers of "The Wind Chaser".

In January this year, Chen Zhixi became the chairperson and president of Wanda Film. At that time, Entertainment Das Kapital found that the new Wanda, which was blessed by Confucianism, had the stability of upstream production from the layout of the four films in the Spring Festival. In the past two months, Confucianism has launched two major dramas "Prosecutor and Youth" and "Confession in the Night", which also indicates that Confucianism’s strong content genes and rich industry resources will empower and speed up Wanda’s TV drama business.

In the future, the new combination of Ruyi + Wanda will continue to enhance the quality of Chinese dramas, create high-quality dramas, and maintain a high yield as usual, becoming a leader in the dual channel of film and drama.

How is the textured "Wind Chaser" made?

When "Wind Chaser" was still called "The Long Wind Breaks the Waves," a video of "director Yao Xiaofeng choking up before speaking" was posted online. It was the scene of the media watching the film in advance. Behind this emotion is the difficult and tortuous creative process of the show for six years.

In 2018, Yao Xiaofeng saw the script of "Wind Chaser", and the unique perspective of "Finance + the Republic of China" aroused his creative desire. After that, the creators found actors and teams, and by the end of 2019, they had all the preparations ready to start, but they had no choice but to encounter the epidemic, and the project had to be put on hold. "The middle has always been thinking about it, and I want to have the opportunity to take it out," but it will not usher in a new "turnaround" until 2022.

To calm down his good mood, Yao Xiaofeng thanked the three women on the stage: Zhang Shuwei, the chief producer who has been accompanying the growth of the project, Dai Ying, the senior vice president of iQIYI, who gave the series the opportunity to meet the audience, and Chen Zhixi, who "gave the greatest support when he was in trouble and confused."

The "turnaround" and Chen Zhixi’s "support" mentioned by Yao Xiaofeng not only refer to the investment of Confucianism and Italy to become a joint producer, but more importantly, Chen Zhixi, who is the director system and joint producer, helps the main creative team.

In the second half of 2022, just after Wang Yibo finished filming "Passionate," producer Chen Zhixi mentioned in an interview that "because of Wang Yibo, I bravely shot this theme. And Yibo’s characterization is very successful, and it is very different from his daily life." She gave the young actor high praise and recommended it to producer Zhang Shuwei and director Yao Xiaofeng.

So the main creator met with Wang Yibo’s team and chatted from noon to dark. Yao Xiaofeng was very satisfied with Wang Yibo’s modesty, sincerity, but dedication to good. Wang Yibo was also interested in the character itself, and the two parties successfully determined the cooperation intention.

Wang Yang, who plays Shen Tunan, has been a good friend of Chen Zhixi for many years. During the preparation, Zhang Shuwei and the director always believed that they should choose an actor who was not too different in age from Wang Yibo and could produce a chemical reaction to the play, so they hoped to finalize the cooperation with Wang Yang early in the morning. Yesterday, Shen Tunan’s wife Su Cishu appeared, and Chen Zhixi also sent a Weibo to thank his actor for his friendship and help.

Yao Xiaofeng said that after the cast was formed, the preparation was twice as fast as usual, and it was soon decided to start filming. From January to May 2023, the drama was filmed in Shanghai, and then it was post-editing and waiting to be broadcast. Until a few days before going LIVE, the original title of "Long Wind Breaking the Waves" was changed to "Wind Chaser", and finally broke the iQIYI premiere record this year with 6614 on March 21, #wind chasers, texture #on the hot search.

Entertainment Capital found that not only the star Wang Yibo, but also the behind-the-scenes creators of "The Wind Chaser" mostly used film crews.

The director Yao Xiaofeng is from the photography department of Nortel. Before filming TV series, he was a photographer for famous directors such as Huang Jianxin and Li Shaohong, and he was very skilled in the scheduling of the camera. The opening scene is a long shot that follows Wei Ruolai’s back, and the seemingly idle close-ups and regular dialogues quickly show Wei Ruolai’s relationship with the people around him. Coupled with a new series of pingtan with regional characteristics, the group portraits stand up, and the smoke and reality naturally arise.

Editing director Cao Weijie’s collaboration with Jiang Wen lasted from "The Sun Also Rises" to "Evil Does Not Suppress Right", and was nominated for Best Editing at the Academy Awards for "Let the Bullets Fly". Art director Wu Jiakui’s previous masterpieces were blockbusters such as "1921" and "Qian Xuesen", which was also his first time participating in TV series production. Styling director Ma Defan is a costumer for films such as "Love in Hawthorn Trees" and "White Deer Plain".

The fusion of "film + TV series" has laid the foundation for the texture of "Wind Chaser", and also highlights the advantages of Ruyi Film in making TV series.

During the shooting period, Yao Xiaofeng pursued details extremely, strived for authenticity, and provided more protection for "texture" creation.

For example, the scene before Wei Ruolai went to the central bank for an interview that left a deep impression on the audience at the beginning, in fact, there were only a few words in the script, "Wei Ruolai hurriedly put on his clothes in the morning to rush to the exam". Yao Xiaofeng temporarily added a lot of details for Wei Ruolai, straightening his hair by hand in front of the mirror, taking the washbasin downstairs to brush his teeth, and tearing up the calendar before going out… Including later asking Aunt Zhou to put on a coat for Wei Ruolai, the director insisted on changing it to an obviously inappropriate one, plus a scarf with hairballs and broken socks. The image of Wei Ruolai "coming from the countryside to a big city to work hard" was quickly three-dimensional.

A few days before the start of filming, Yao Xiaofeng was still under pressure to demolish the original scenes of Qibao Street and Wei Ruolai’s room, making these two scenes more old and crowded, highlighting the gap between Wei Ruolai’s lower-level environment and the "Shili Yangchang" in Greater Shanghai.

In the end, a scene of less than 2 minutes was filmed for three days, and the original one-week shooting of the Qibao Street opening scene was delayed into two weeks. Although the lengthened cycle brought a lot of pressure to the production team, this director’s dedication to details was able to unite the crew and make the whole team work together to ensure the high-quality completion of "Wind Chaser".

Financial incision, "flow" bonus, "Wind Chaser" blows new wind for national drama

From focusing on family disputes, espionage, to fantasy and love that have emerged in recent years, the complex genre of the Republic of China drama track has undergone several turns, and finance has always been a rare angle. "The Wind Chaser" sets the story in Shanghai in 1930, selects the financial system reform of the Republic of China as the background, and opens a new incision in the great drama of the Republic of China era.

At the beginning, Wei Ruolai is checking the accounts for the gang boss, and in the conversation, he explains his background of low birth and no way to apply for a job, which also lays the groundwork for the later encounter with the heroine Shen and the truth and relief. Then the scene quickly shifts from Qibao Street to bourse, Wei Ruolai and Aunt Zhou first taste the stock market failure, watching the stock price on the wooden board fall sharply from the high point, leaving a "hook" for the successful job search after guessing Shen Tunan’s acquisition intentions.

The true scenes, interlocking narratives, and the unique plot extended by the financial incision have allowed this Republic of China drama, which is based on the financial events of the Republic of China and the growth history of small characters, to quickly differentiate itself among similar dramas.

"Achieving a breakthrough in the original genre" has always been the principle of Chen Zhixi’s production of films and TV series. She once said at the screening site that she thought the work was worth developing after watching the first three episodes in one go.

But at the same time, she also found that the threshold for acceptance of the original script is relatively high, "which means that not everyone can enjoy this kind of TV series." Therefore, how to combine with the present nature so that the audience can find resonance in the plot has become the improvement direction of the second creation of "Wind Chaser".

And the opportunity and impulse of "second creation", Yao Xiaofeng found from the star Wang Yibo. He once mentioned in an interview that "Wei Ruolai is a clean and young, very’tenacious’ hot-blooded young man", these characteristics are very consistent with Wang Yibo’s original temperament.

He had previously learned that Wang Yibo made his way out of Henan step by step with his talent and drive. This experience allowed Yao Xiaofeng to find the entrance to "present nature": to shape Wei Ruolai into an ordinary young man in the torrent of the times, he will also be confused and wandering at the intersection of national and personal destiny, but eventually he will firmly believe and make a choice.

At the same time, the "workplace" element is strengthened in the central bank line part, creating a complete growth line for Wei Ruolai to upgrade from "workplace Xiaobai" to professional financier, so that the audience can see similar experiences and feelings in the character.

Yao Xiaofeng also allowed the actors to bring in a more modern way of thinking, allowing them to give real reactions and guiding Wang Yibo to show different emotional levels step by step during the shooting.

Before "The Wind Chaser", Wang Yibo used Mr. Ye in "Nameless" to confirm his compatibility with the dramas and revolutionaries of the Republic of China, and the enthusiasm and tenacity in "Warm" coincided with the youth and momentum of Wei Ruolai in the early days. It is conceivable that Chen Zhixi has considered his compatibility with the character when setting up the game.

Not only "The Wind Chaser", Chen Zhixi and Ruyi have always had mature experience in combining streaming actors with high-quality content.

In 2015’s "No War in Peiping", Liu Ye at that time was also a "traffic" student, "strong alliance" with a group of old actors around him to create a classic spy war drama.

"Send You a Little Red Flower" is Jackson Yee’s second film. He plays a cancer patient who has just been diagnosed with self-abandonment and high-pressure emotions under long-term family care. The scene of confrontation with his parents has also become one of the most out-of-the-loop clips in the film.

The combination of "Bo Yibo" in the "Enthusiasm" controlled by Confucianism and Italy highlights the chemical reaction of the master-apprentice combination. At that time, many people said that Chen Shuo was tailor-made for Wang Yibo: he had an ordinary background, loved street dance, was young and passionate, and had an unyielding energy.

From these examples, it is not difficult to see how Confucianism makes good use of streaming actors: one is to combine the actor’s experience to find roles that are highly compatible with the actor, build on their strengths and avoid their weaknesses, and find the comfort zone where the content overlaps with the actor. The second is to use a "hand-holding" approach to allow young actors to gradually grow in a mature crew, and to create a character combination that allows mature actors with rich experience to have a chemical reaction with them.

"Confessions in the Dark Night", which has just been officially announced by Confucianism and Italy, also uses Pan Yueming, who is known for criminal investigation dramas, to pair with the young top-class Wang Hedi. From the plot introduction, Wang Hedi’s role as Ran Fangxu is a character similar to "White Moonlight", which involves the persistence of the master and his daughter to investigate the truth. "With the rule of hand-holding", the law of character adaptation and double combination appears again.

On the other hand, this kind of long-term in-depth co-creation with mature teams and the addition of high-quality content to young actors will subtly improve their acting skills and empower young actors for their future growth and commercial value. Take "Confessions of the Night" as an example, this can be seen as the starting point for Wang Hedi’s transformation to a new genre by virtue of ancient puppets. The integration of "film + TV series" also allows young actors to have more learning space.

In recent years, the first generation of traffic has ebbed, and high-quality dramas have appeared frequently. The stereotype that "using traffic is a bad drama" is gradually fading, and the industry’s views on the new generation of young actors are also gradually reforming: it is impossible to deny the addition of actors’ own popularity to the drama. More importantly, think about the characteristics of actors and the adaptation of the content and characters of the drama, and find a way to win-win.

Returning to "Wind Chaser", whether it is a unique financial incision or the maximization of the cast combination, this high-quality drama that focuses on the growth of young talents in the era and reflects the context of economic development in a specific era has blown a "new wind" on the drama track of the Republic of China, and also provided a new sample for the innovative breakthroughs of similar dramas.

Confucianism and Italy ride the wind, Wanda accelerator

At the beginning of this year, Chen Zhixi became the chairperson and president of Wanda Film. At the same time, Entertainment Capital also noticed that two companies, Ruyi Film and Wanda Film and Television, had appeared among the co-producers of "Wind Chaser".

If the super layout of the four films of Confucianism and Italy + Wanda during the Spring Festival is the New Year meeting gift that Chen Zhixi brought to Wanda Film, then the go LIVE of "Wind Chaser" and the consecutive launch of the two major dramas are the "accelerators" that she helped Wanda TV series become the industry leader.

Wanda Film and Television officially entered the drama industry in 2016, and the production pace and quality were not stable. In contrast, Ruyi Film’s strength in the drama field has been steadily improving.

In January this year, Chen Zhixi’s director-produced "Prosecutor and Juvenile" was launched. The drama was directed by Teng Huatao and starred Zhang Xiaofei and Chen He. From the plot synopsis, this is a realistic work involving juvenile delinquency, family education and the legal system. This year’s Spring Festival file "Article 20" has a long-term word-of-mouth and a reverse decline in the box office, which proves that this kind of theme is in line with the current audience’s preferences.

Also directed by Chen Zhixi, "Confessions of the Night" was launched in early March. The drama was directed by Wang Zhi and starred Pan Yueming, who was extremely suitable for the theme of criminal investigation. The combination of his master and apprentice with Wang Hedi made the audience look forward to it. The configuration of "middle-aged powerful actor + young top class" also escorted the quality of the drama and the popularity of go LIVE in advance.

In the current TV drama to be broadcast, "My Altay", directed by Chen Zhixi, has just been shortlisted for the main competition unit of the 2024 Cannes TV Festival. The drama is directed by Teng Congcong, starring Ma Yili, Zhou Yiran, and Yu Shi. Once again, Ruyi has shown a strong ability to organize and control the content.

In addition, in the latest TV drama filing, the ancient costume drama "Avenue Chaotian" has been filed by Confucianism, which is adapted from the novel of the same name of the cat. The "2023IP Weathervane" report shows that male-frequency IP is a new trend in future film and television dramas. "Avenue Chaotian" is also one of the few new IPs of the cat after the success of film and television such as "Celebration of More Years" and "General Night".

Previously in the field of drama, Wanda Film and Television has not been able to enter the head sequence before, and from the beginning of "Wind Chaser", whether it is the main creator or the big IP blessing, Ruyi + Wanda’s new drama configuration has been significantly upgraded, entering the S, S + level, but also for Wanda Film and Television’s TV drama business up the ante new engine.

As previously analyzed by Entertainment Capital, after Chen Zhixi entered Wanda Film, his stable production ability and Chen Zhixi’s professionalism in content control will allow Wanda Film to return to the content-led industry logic. Chen Zhixi is also one of the few producers in the industry that spans the two fields of film and TV series, and is expected to inspire new possibilities for the linkage of drama and film in the integration of Wanda Film’s entire industry chain.

In the future, the new combination of Ruyi + Wanda will enhance the quality of domestic dramas with film thinking and integration team, conform to the trend of "boutique" of dramas, contribute to the domestic drama film and television industry, and also empower the long-term development and more vigorous vitality of the brand.

The car "cradle" continues to innovate into the future

Xinhua News Agency Changchun, August 15, title: Automobile "cradle" continues to innovate into the future

Xinhua News Agency reporters Xu Chang and Li Dian

In August, the weather was clear, and the factory area of China FAW Group Co., Ltd. (formerly the First Automobile Factory) in Changchun City, Jilin Province was full of greenery. Shortly after FAW’s 70th birthday, the factory area was in full swing, with machines roaring and freight vehicles passing through the factory area and workshop.

The picture shows that on July 15, the 55.77 million car produced by FAW was held at the 70th anniversary celebration of FAW in China. Photo by Xinhua News Agency reporter Yan Linyun

Here is the starting point of New China’s automobile industry. On July 15, 1953, the first automobile factory was laid in Changchun, Jilin, and the automobile industry of New China began. The first car "Liberation", the first car "Dongfeng", and the first high-end car "Hongqi" rolled off the production line here one after another, and one "first" in the history of New China’s automobile industry was born.

The picture shows the first Jiefang brand car driving off the assembly line on July 13, 1956 (file photo). Xinhua News Agency

Walking on Dongfeng Street in Changchun Automobile Economic and Technological Development Zone, in front of the "No. 1 Gate of the First Automobile Factory", you will see the white marble cornerstone engraved with the words "Memorial to the Founding of the First Automobile Factory", as well as the surrounding bucket arch cornices, blue tile red bricks, and beautiful jujube buildings.

The picture shows "Gate 1 of the First Automobile Factory" (drone photo). Photo by Xinhua News Agency reporter Zhang Nan

These early FAW buildings were affectionately called "red houses" by the locals. For FAW people, this was not only their place of residence, but also a place of struggle and growth. It reflected the labor scene of "one side of production, one side of life" in the early days of FAW’s construction, and also witnessed the great changes in the development of the automobile industry in New China.

The picture shows the living area of FAW’s "red house" (drone photo). Photo by Xinhua News Agency reporter Xu Chang

In 2018, the First Automobile Factory was included in the first batch of China’s industrial heritage protection list.

Over the years, the old factory with a history of 70 years has not been eliminated. Over the years, the old factory has been renovated many times to meet the needs of modern production, adding new production lines, new equipment, and upgrading new technologies, giving it a new lease of life.

Walking into the FAW Jiefang stamping workshop where the die fitter Feng Bin works, the production lines are running at high speed. According to the introduction, this stamping workshop was built in 1954. In the fifth compartment, an old-fashioned press with a sense of age stands out. This press was installed in the body factory of the First Automobile Factory in 1955 and put into use in July 1956. It has been nearly 70 years.

At first, this press produced front fenders and other products for the first generation of liberation cars, and now it is used to produce interior panels for existing models such as the J6. It is in good working condition. In 2010, the press was refurbished and updated in line with the current production process.

The picture shows Feng Bin (left) checking the working status of the stamping machine. Photo by Xinhua News Agency reporter Xu Chang

Old equipment refurbishment, automation transformation… Although the Jiefang stamping workshop is still in the old factory, earth-shaking changes have taken place inside, and the equipment and technology are constantly innovating.

In the final assembly workshop of Hongqi Factory H, which was not far from Jiefang Stamping Workshop and completed the renovation and upgrade in 2019, the mechanical arm on the production line is waving and operating, and the AGV handling robot passes through it. There are intelligent machines in all production processes. According to the relevant person in charge, the workshop currently has 80% intelligent workstations, and the production efficiency and product quality have been improved.

The picture shows the welding robot welding the body on the production line in the welding workshop of FAW Hongqi Prosperity Factory. Photo by Xinhua News Agency reporter Yan Linyun

After 70 years of development, FAW has established five production bases in Northeast China, North China, East China, South China and Southwest China. It has its own brands such as Hongqi, Jiefang and Pentium and joint venture brands such as FAW-Volkswagen and FAW Toyota. The cumulative production and sales of automobiles exceed 55 million. At present, FAW is keeping up with the development trend of electrification and intelligence in the automobile industry, and driving the development of enterprises with high-level technological self-reliance.

New taxi regulations are introduced: Internet private cars are included in the management of reserved taxis

       The State Council Information Office held a press conference at 3 pm today. Vice Minister of Transport Liu Xiaoming and relevant officials of the Ministry of Public Security, the General Administration of Quality Supervision, Inspection and Quarantine and other departments introduced the deepening of the reform of the taxi industry and the "Guiding Opinions on Deepening Reform and Promoting the Healthy Development of the Taxi Industry", "Interim Measures for the Management of Online Booking Taxi Business Services", and answered reporters’ questions.

8

       The "Guiding Opinions on Deepening Reform and Promoting the Healthy Development of the Taxi Industry" (hereinafter referred to as the "Guiding Opinions") were approved by the State Council and issued by the General Office of the State Council. The "Guiding Opinions" divided taxis into two categories: cruising taxis and booking taxis. For the first time, it was proposed to include Internet special cars in the management of booking taxis, which clarified the positioning of the taxi industry. At the same time, it clarified the legal status of online car-hailing, supported the continuous innovation and standardized development of online car-hailing platform companies, and encouraged traditional taxi enterprises to transform and provide

       Clear positioning of the taxi industry

       The Guiding Opinions state that,Adhere to the priority development of public transportation, the appropriate development of taxis, and coordinate the development of cruise cars and online car-hailing to promote the gradual integration of the two business models.Establish a dynamic monitoring and adjustment mechanism to gradually achieve market regulation.

       Reduce excessive "portion money" and other burdens on drivers

       The "Guiding Opinions" pointed out that to deepen the reform of cruise taxis, all new operating rights shall be limited for a limited period of time and used without compensation, and the operating entity shall not be changed. If the existing operating rights do not specify the specific operating period or have been used for compensation, the urban people’s government shall formulate a plan and make a scientific transition. All parties shall negotiate to determine and dynamically adjust the contract fee standard or quota task.Reduce the burden on drivers by reforming the business model, reducing excessive contractor fees and mortgages.Encourage cruise taxi enterprises to transform and provide online car-hailing services, expand service functions, strengthen branding, and take the initiative to transform and upgrade.

       Standardized development network booking and private minibus sharing

       The "Guiding Opinions" clarify the legal status of online car-hailing, as well as the carrier’s responsibilities that the platform company should assume, the operating conditions it has, and the requirements for standardizing business behavior, and support the continuous innovation and standardized development of online car-hailing platform companies.

       The Guiding Opinions proposeCity people’s governments should encourage private passenger car sharing and formulate corresponding regulations.Clarify the rights and obligations of ride-sharing service providers, ride-sharing providers, and ride-sharing information service platforms, and standardize their development.

       Establish an operator and driver evaluation system

       The "Guiding Opinions" propose policies, regulations and standards for accelerating the improvement of taxi management and operation services. Establish an evaluation system for operators and drivers, and use relevant evaluation information as an important basis for access and exit. Establish a joint supervision and law enforcement mechanism and a joint punishment and exit mechanism.

       City people’s governments should effectively assume the main responsibility for taxi management.Give full play to autonomy and creativity, and explore a management model that is in line with the actual development of the local taxi industry.

       Encourage traditional taxi companies to transform and provide online ride-hailing services

       The "Guiding Opinions" encourage cruise car operators and online ride-hailing platform companies to achieve the integrated development of new and old business models. Cruise car operators have qualified operating vehicles, drivers who have passed the training and examination, and a group of staff with certain management experience. Online ride-hailing platform companies have advantages in Internet data and information technology. The two can complement the offline capabilities of cruise car operators and the online capabilities of online ride-hailing platform companies in a relatively short period of time through mergers, reorganizations, and absorption of shares.

       The "Guiding Opinions" encourage traditional taxi companies to transform and provide online ride-hailing services.Traditional taxi companies are encouraged to take the opportunity of implementing the "Internet +" initiative to explore self-building or joint construction of Internet platforms, provide online car-hailing services, and achieve transformation and development.

8

       The "Interim Measures for the Administration of Online Booking Taxi Business Services" (hereinafter referred to as the "Interim Measures") were approved by the State Council and jointly promulgated by the Ministry of Transport, the Ministry of Industry and Information Technology, the Ministry of Public Security, the Ministry of Commerce, the State Administration for Industry and Commerce, the General Administration of Quality Supervision, Inspection and Quarantine, and the Cyberspace Administration of China.

       The "Interim Measures" make it clear that in accordance with the principles of high-quality and differentiated management, the development orientation is clear and the online car-hailing is developed in an orderly manner. It stipulates that online taxi operators, vehicles and drivers implement license management; it is clear that online car-hailing vehicles are registered as "reservation rental passenger transportation"; it is stipulated that when the mileage of online car-hailing reaches 600,000 kilometers, it is mandatory to scrap it; drivers also need to obtain corresponding employment licenses.

       Clarify the nature of online car-hailing: "Appointment for rental passenger transportation"

       The Interim Measures explicitly register online car-hailing vehicles as"Make an appointment for taxi transportation",It reflects both the nature of its rental cars and the characteristics of its emerging business models.

       Online car-hailing platform implements license management

       Online booking taxi operators, vehicles and drivers shall implement license management. Operators shall assume the responsibility of carriers and have online and offline service capabilities. Vehicles and drivers shall meet corresponding qualification conditions.

       Operators must ensure that the vehicles and drivers providing services have legal qualifications, and that the vehicles and drivers providing services online and offline are the same. They must not illegally collect, use or disclose passengers’ personal information and sensitive information related to national security. There must be no unfair pricing behavior, and competition must not be excluded or restricted.

       Access conditions for online car-hailing drivers

       The Interim Measures impose strict driver access conditions.There should be no traffic accident criminal record, no dangerous driving criminal record, no drug use record, no driving record after drinking alcohol, and no violent criminal record.

       Private cars that meet the specified conditions and procedures can be converted into online car-hailing

       The Interim Measures set corresponding licensing conditions and scrapping standards for vehicles engaged in online car-hailing operations.

       Licensing should meet three basic conditions:7-Seat and below passenger cars; Installation of vehicle satellite positioning devices and emergency alarm devices with driving record functions; Vehicle technical performance meets the requirements of relevant standards for operational safety.

       On this basis, for eligible vehicles,It should be registered with the public security organ as an appointment for taxi transportation, and obtain the "Online Appointment Taxi Transportation Certificate" issued by the taxi administrative department where the service is located.

       Therefore, according to the "Interim Measures for Administration", private cars can be converted into online ride-hailing vehicles after meeting relevant conditions and following relevant legal procedures.

       Net car scrapping standard: forced scrapping when the mileage reaches 600,000 kilometers

       The Interim Measures established a standard for scrapping according to mileage.It is stipulated that when the mileage of the online car reaches 600,000 kilometers, it will be forcibly scrapped. When the mileage does not reach 600,000 kilometers but the service life reaches 8 years, it will withdraw from the online car business.