标签归档：西安耍耍网

＂Black Myth Wukong＂ Spider Essence’s wine jug is a cultural relic of the Qin Dynasty？ Video games stop only picking up Dunhuang’s wool

On August 20, Game Science Corporation released a 6-minute real-time plot clip and an 8-minute real-time demo clip of the game "Black Myth: Wukong" under development. In addition to the movie-like picture quality, many netizens also paid attention to the scenes and items in it. In this mythological story derived from "Journey to the West", from architectural sculptures to bowls and plates, almost all of them can find corresponding Chinese cultural relics in reality.

In recent years, the film and television and game industries have become increasingly popular for "copying" cultural relics. In the eyes of some audiences, this approach helps young people get close to cultural relics and understand history, which is a "win-win" move. Some industry insiders believe that it is a great progress from looking for inspiration in the West and Japan to looking for cultural relics "copying", but there is still a lot of basic work to be improved.

See real artifacts in the game

A few days ago, the game science company released a 6-minute real-world plot clip and an 8-minute real-world trial clip of the game "Black Myth: Wukong", and also included an episode MV, which instantly "swiped the screen" among young people. On Bilibili, the two videos rushed into the first and second places on the whole site at the same time, and the single playback volume has nearly 10 million, and triggered the secondary creation of many UP masters, from game technology to plot to analyze from all angles.

Among them, what attracted the attention of many netizens was the appearance of many genuine "cultural relics" in the picture. As soon as the plot began, a stone wall was set against the candlelight, with a group of headless Buddha statues and Thousand-Handed Guanyin on it. Some netizens immediately found that this scene was very similar to a group of cave statues in Qianfo Village in Anyue Grottoes, Ziyang City, Sichuan Province. This group of badly damaged statues was used here and was very integrated with the game scene. Many people speculated that it was also related to the story background of the entire game.

The lights in the game (first and second from the left) and cultural relics are "the same" from shape to detail.

Stepping into the courtyard building, several lamps are flickering, and these bronze lamps can be found in the "same style" of bronze lamps in the Han Dynasty. It is reported that such lamps are generally called "branch lamps", and multiple lamps are layered on the lamp post, and the whole lamp looks like a big tree. The decorations on the "tree" include flowers and plants, cloud patterns, auspicious beasts or human shapes. The Gansu Provincial Museum has 13 bronze branch lamps of the Han Dynasty, topped by the shape of immortals riding deer. The lamp was unearthed in the Han Tomb of Leitai in Wuwei City, Gansu Province, and the famous cultural relic "Ma Ta Feiyan" also came from here.

The characteristics of the wine ware on the table are the same as those of Wu Wangfu on the left and Chunchenghou on the right.

The objects on the six tables in the courtyard for preparing the banquet also have their archetypes. For example, a bronze wine vessel with a round belly, a cover at the top, and a lifting beam, linked by multiple rings, has a mouth like a bird, and three legs like a beast. This image is very similar to the late Warring States period Chuncheng Hou on display at the Shanghai Museum. Is a container for wine or water during the Eastern Zhou Dynasty, and the Shanghai Museum also has another Wu Wangfu Cha, which is also round, three animal feet, with a lifting beam and a ring button, but with more complicated patterns.

In the MV of the episode "The Ring", there is also a humanoid pot placed on the table, which is shaped like an immortal holding a musical instrument. The body of the immortal is a container, and the musical instrument in his hand is a water outlet. This pot is almost identical to the immortal Chuisheng of the Liao Dynasty who is now in the Cleveland Museum of Art.

Who owns the copyright of cultural relics?

There is also a Boshan stove on the case of the game. The lower half of the body of such an incense burner is round, and the upper half is hollowed out with a high and pointed lid, which is like a mountain. When burning incense, it surrounds the spit like a cloud, like the legendary sea fairy mountain "Boshan". The image of the Boshan stove not only appears on the table, but also is designed into the character shape. In the real game demo clip, the red-bearded dragon, one of the nine sons of the Jinghe Dragon King in "Journey to the West", has multiple objects shaped like Boshan stoves on his back, and these objects also emit lightning in the fighting scene.

"Black Myth: Wukong" has attracted wide attention, precisely because of the use of cultural relics. The 13-minute real-time demonstration video released by the game on August 20, 2020 has been played nearly 45 million times in Bilibili, and is listed as one of the "85 videos that must be brushed inbound". A large number of domestic cultural relics are used as scenes, including the 28th Star Sculpture of the Yuhuang Temple in Jincheng, Shanxi, the Three Pagodas of Chongqing Dazu Temple, and the Three Pagodas of Chongsheng Temple in Yunnan.

The pot in the game is consistent with the details of the pattern in the museum collection

However, this move also triggered some netizens to discuss whether the use of the images of these cultural relics requires the authorization of the museum or scenic spot where they are located. In addition to museums, do others have the right to use cultural relics for creation and profit?

The reporter learned from legal experts thatAlthough museums preserve the original cultural relics, they cannot monopolize the copyright of cultural relics.The third section of the Copyright Law specifies the period of protection of rights. Generally speaking, the copyright protection of a work isThe 50-year divideHowever, ancient cultural relics have long exceeded this protection period.

The "Guidelines for the Operation of Copyright, Trademark and Brand Authorization of Museum Collection Resources (Trial) " formulated by the State Administration of Cultural Heritage also makes it clear that the copyright of museum collection resources includes two aspects: first, the copyright of the collection is still in the copyright protection period, and the copyright obtained by the museum for preserving the original works, and second, the copyright of the works obtained by the secondary creation of the collection resources in the form of photography, video, digital scanning, etc. This also means that for ancient cultural relics,The museum only owns the copyright to the works formed by its own secondary creation, not the "copyright" of the cultural relics themselves…

In recent years, more and more film, television and game products have been created and developed with the help of cultural relics. The film "New God List · Yang Jian" currently being released has a dance clip from Dunhuang, and a group of posters have been created in conjunction with the Dunhuang Museum merchandise brand.

"Although legally speaking, the use of cultural relics does not require the authorization of the venue where the cultural relics are located, we are very happy to link with the museum." Some industry insiders revealed that when developing film and television and game products with traditional culture as the theme, they often seek cooperation with cultural institutions at the first time."On the one hand, these cultural and exhibition venues have the most detailed information on cultural relics, which can provide us with professional support; on the other hand, brand linkage helps to achieve a win-win situation."

Dunhuang dependency?

After the first video of "Black Myth Wukong" was released on August 20, 2020, Huang Qing, a citizen, planned to travel to Shanxi: "If not for the decryption of the images in the game, I would have never known that there was such a’treasure ‘place, and I would not have noticed the charm of ancient painted sculptures." However, she also found that these cultural relics were distributed in Changzhi, Jincheng and other places in Shanxi Province, and the transportation was not very convenient, and some local friends also complained to her.All kinds of "guides" on the Internet rarely sort out these cultural relics resources, but instead promote some so-called "Internet celebrity clocks in place", "Obviously picking up sesame seeds and throwing watermelons."

As cultural confidence increases, more and more young people are turning to films and games that are inspired by Chinese history and cultural relics.I am very disgusted with the practice of copying Japanese images and even using European images to tell traditional Chinese stories in the pastThe movie "The Legend of the Gods" made a lot of audiences dissatisfied with the use of European-style armor, castles and other images. Some even commented that it was "close to the Space Opera House". In the end, the star-studded movie only scored 2.9 points on Douban, and the 400 million yuan investment only received 280 million yuan at the box office.

The netizens criticized "The Legend of the Sealed God" for being too science fiction

The film "New God List · Yang Jian" currently being released has attracted many audiences with its beautiful "national style" pictures. Director Zhao Ji revealed that the production team had gone to Dunhuang and other places to collect styles. The imagination of ancient artists inspired them, so they added a "flying dance" that was not originally available in the film. This beautiful clip was even edited into a video and widely disseminated. The costumes, postures and even shapes of the fairies made many viewers shout "I think of Dunhuang at a glance."

The character image of "Shushan: New Shushan Swordsman" is reminiscent of Dunhuang Feitian

However, Dunhuang seems to have become the wool that has been repeatedly picked up by such film and game works over the years. As early as 1983, in the Hong Kong film "Shushan: The New Shushan Swordsman", a large number of scene shapes were inspired by Dunhuang, and this image was "re-engraved" in the 2001 film "Shushan". In recent years, fairy and hero dramas such as "Eternity" have also claimed to have looked to Dunhuang for inspiration. Some industry insiders admitted:"What does the story itself have to do with Dunhuang?"

Mr. Liu, who is engaged in the film and television production industry, remembers that Yang Jie, the director of CCTV’s "Journey to the West", once wrote in his memoirs, "Journey to the West, ‘Tour’ is a running line." So before filming, she and the staffI visited more than 70 attractions in two monthsAt that time, the filming location of "Three Dozen White Bone Essence" in Zhangjiajie Huangshi Village had not yet been developed, and the crew encountered danger on the way "Through" Journey to the West ", many scenic spots, including Jiuzhaigou, became famous across the country. How many practitioners still have such a spirit?"

"Products with the theme of traditional culture rely too much on a few cultural symbols or IPs, which shows that our basic work is not enough." Mr. Wang, who is engaged in game image design and development, revealed to reporters that the "Black Myth Wukong" team has made great efforts to visit the scene this time. "In Japan and other countries with mature animation industries, there are a large number of ready-made resources for basic materials such as scene backgrounds and character shapes to choose from. But there are too few of these basic resources in ChinaIf you want to ensure the quality, you can only find the literature and check it on the spot, and start from scratch. "He hopes that these treasures scattered all over the motherland can be integrated in a more effective way and further developed and used," so that more young people and the world can see the rich and magnificent Chinese culture. "

[See you at 8 o’clock] Meituan and Ele.me are under investigation

CCTV News:Every day at 8 o’clock, CCTV will sort out for you the big and small things that happen around us within 24 hours.

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· Jiujiang City Women’s Federation issued a proposal to "boycott high bride price and advocate a new style of civilization".

12 diseases were included in the treatment of children’s hematological diseases and malignant tumors.

· 300 million people in our country have sleep disorders, and surveys show that the higher the income, the less sleep.

· Tokyo Olympics suffered another blow: the director of the opening ceremony made female entertainers play pigs, and was accused of discrimination and resigned.

· Called a "killer" by Biden, Putin responded: I wish him good health, this is no joke.

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The female employee said that she was molested by the deputy director. The company supervisor did not stop her, and the company publicly apologized.

· A man in Shijiazhuang, Hebei claimed to be the director of Jinque Palace Medical Center, Daoist Gu, who used cosmic energy to treat diseases, waving his hands to enlarge breasts, increase height, blowing air to treat breast fibroids, fractures, and increase by one centimeter. Charge 15,000 yuan, Shijiazhuang Ethnic and Religious Affairs Bureau: No such person.

· 70 uncle barber shop 3 years consumption 2.35 million yuan, of which 1 day consumption up to 420,000 yuan.

· The woman was threatened with 110 points of crayfish due to domestic disputes, and repeatedly urged for "spicy". The police heard the mystery: go immediately.

Tianjin Goubuli Catering Management Co., Ltd. cancelled? Goubuli Group responded: The operation did not meet expectations, closed and cancelled.

Meituan and Ele.me were investigated in Hefei, and some takeaway merchants did not have food business qualifications.

· The appointment of the female cadre "Leopard Girl Wolf" has attracted heated debate, and I respond: I have had this name since I was a child.

"Do it again and again", and eventually you have to pay it back.

– "Beijing News" commented on Guo Meimei’s criminal detention

Pingping, a 7-year-old male Sichuan golden-nosed monkey at the Chimelong Wildlife World in Guangzhou, recently became "Monkey Dad", and the already lively "Pingping" is even more wild.

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Exceptional talent! The 7-year-old girl learned kung fu to develop abdominal muscles and flipped her hands.

See you tomorrow at 8!

Yan Ni： Shopkeeper Tong turned into a scheming housekeeper, speaking Shanghai dialect made Hu Ge blush


1905 movie network feature Nowadays, Yan Ni often appears in fashion blogger’s articles. She is slender, stylish, and not too hard. It has to be admitted that some people will become more and more beautiful with age, but more attractive than when they were young.

　

In Cheng Er’s latest film, Yan Ni donned a cheongsam to play Wang Ma, a formidable housekeeper by Ge You’s side. This character is not as brightly dressed as Zhang Ziyi’s courtesan, Yuan Quan’s star or Gillian’s aunt, but it is equally delicate and delicate. In the trailer, she walks down the road with Du Chun, the "killer", in a domineering and mysterious figure. No wonder that before Wang Ma appears at the beginning of the film, Ge You reminds the men at the card table, "Don’t provoke Wang Ma."

　

Perhaps in the impression of many people, Yan Ni is still the hot shopkeeper Tong, whose mantra is "Oh my god" in Shaanxi flavor. In order to play a Shanghai woman in the 1930s, Yan Ni practiced Shanghai dialect hard, and the effect of the practice was so good that the director replaced her from a lighter role to Wang Ma with more scenes after the start of filming. On how to learn a dialect well, Yan Ni’s method is simple and crude, "Whoever is from Shanghai, I will read it to whoever. I am bold, and I am embarrassed to listen to it." Hu Ge is also one of the "sparring partners".

　

The audience is more impressed by Yan Ni’s on-screen image. In fact, on the big screen, she has cooperated with many well-known directors such as Zhang Yimou, Li Shaohong, Wang Xiaoshuai, Er Dongsheng, Guan Hu, etc. When it comes to the intersection with these famous directors, Yan Ni smiles and says that she has no unreasonable thoughts, but she also hopes that there will be a real big-screen masterpiece in the future. After experiencing the "late bloomer" of actresses becoming famous after the age of 30, Yan Ni said that she is willing to wait for the "great responsibility from heaven" to fall on her.

　

The movie "The Death of Romantic" will be officially released on December 16.

　

The following is the transcript of the interview:

　

1905 movie network:You play Wang Ma as a housekeeper. What kind of role is she?

Yan Ni:At the beginning of the movie, Mr. Lu said, don’t provoke Wang Ma, she is a very disciplined person, just like when she dies, she has to sit and die, very dignified, very graceful, she will not forget to put down her key, she has to explain her work, even if she is facing death. She often sees such an impermanent thing of death, if she is a person who is worried all day, she will not have her demeanor.

　

1905 Movie Network: I heard that the director asked you to play Wang Ma at the beginning?


Yan Ni:Yes, at first he asked me to play Tadanobu Asano’s wife, and then on the first day of filming, Tadanobu Asano was also quite handsome, and I thought it was pretty good. I also learned a sentence of Shanghainese before, and after I finished speaking, the director said that he didn’t sleep well at night after he went back. He said that in fact, I have a very Shanghainese accent, and then he asked me to play Wang Ma, and Wang Ma’s role was more important. Of course, I readily agreed.

　

1905 movie network:Almost all the lines in the film are in Shanghainese. How did you practice?

Yan Ni:Anyway, whoever is from Shanghai, I will read it to whoever I am. I am a bold person, but I am embarrassed to listen to Shanghainese people sometimes. Then I said it there. I also told Hu Ge, Hu Ge said, oh, sister, don’t say it, I said what did you say, he said you say it again, I said it again, he said I thought you said it seemed strange, I said that I said it was not good, so I wanted you to teach me. Later, he asked a very good friend of ours to teach me, and I was very happy during that time. In fact, he just wanted many people around him to listen to my Shanghai dialect.

　

1905 movie network:Ge You said that he initially rejected the Shanghainese lines. Have you two exchanged this?

Yan Ni:One day I pulled Uncle Ge over, and I said, Uncle Ge, listen to what I said, do you think I can speak it? Uncle Ge listened to it for a long time, and he said, I really think you can speak it, so I said why? He said, look, outsiders like me, I don’t understand a little bit, I don’t know if you speak it well or badly, but what about Shanghai people, they think you can speak our Shanghainese, and you are willing to learn our language. They are also very happy, so they are happy, so you can speak it. He also gave me a lot of confidence, so I keep talking.

　

1905 movie network:Speaking of Mr. Ge You, this time he has a different hairstyle.

Yan Ni:I think this hair cover actually did a very good job for him this time. When I saw him at the scene, I felt that this hair cover suddenly brought him to the era of the Republic of China, so I kept saying that I said this hair cover was very good, and he himself seemed to be very satisfied with this hair cover.

　

1905 movie network:You and Zhang Ziyi also play opposite each other. How does it feel to cooperate with her?

Yan Ni:I was very excited after watching the movie yesterday. I told Ziyi that your movie was really good. There were a few scenes that were not very good, but she handled it very well. Of course, there are also directors who can leave a lot of her things behind. I said you see, all the men in the whole drama love you, Japanese, Chinese, old men, and young people all love you. Your character loves freedom, is very uninhibited, and has to be bound by something. This character is quite rare in a movie. Maybe during the filming process, everyone didn’t think that when I saw her like this on the screen, I would also be attracted to her. I felt that at that moment, she felt different from her before, and I was also shocked by her.

　

1905 movie network:Do you usually exchange some experience of being a mother with Zhang Ziyi?

Yan Ni:She sometimes sends Moments, she holds her baby, sends her baby, I also take a look. At that time, I thought, when my daughter was young, why wasn’t I like her. She has a good career now, and the importance of children to her at this moment may not be the same as I did at that time, but every time I can feel a kind of radiance of maternal love.

　

1905 movie network:Director Cheng Er’s works are all very personal. What kind of director do you think he is?

Yan Ni:I think Cheng’er actually loves the actors very much. This movie is like All Beings, but he left behind every actor’s shining things, and he made many actors feel different. Like Uncle Ge, anyway, when I watched the movie yesterday, I didn’t think Uncle Ge was a comedian or wanted to laugh or something. He was a bit like the Coen brothers, including Ziyi and me. I think there is some tension in it. This is all thanks to the director. I think he knows acting very well.

　

1905 movie network:What is the current attitude towards the label comedian?

Yan Ni:I have always said that I am willing to carry out comedy to the end. If I can act in comedy, I am a very rich person, why should I care about this label? In fact, it doesn’t matter what others call me, this is my understanding of my own life. In fact, you said comedy, there is no great joy without great sorrow, and there is no complete, I feel that no matter what others do, I still know a kind of pursuit in my heart. Before I acted, I didn’t know that I could act in comedy. An actor can explore yourself through roles. Maybe I still don’t know what kind of potential I have. I also need to relate to it. I feel that if I can reach the level of a true comedian, that would be a great honor for me, but I’m still far from it. I’ll go after it.

　

1905 movie network:In the past two years, you have acted in a lot of big-budget movies. Do you hope to achieve good results on the big screen?

Yan Ni:Actors are just a very small part of the body. In fact, I don’t have any ideas for a breakthrough. If I have any ideas, it is to go further in the film. I hope that there can be a representative work of my own on the big screen. At least there is a work that the audience is satisfied with and I am satisfied with. This year is also very lucky. It just so happens that some movies have come to me during this time, but it has nothing to do with the production size. There are not many female characters in the movie, and there may be even fewer at this age. So you have to touch it. It doesn’t mean that you can achieve what you want to say, so I have also made a few movies this year. I hope that there is a work that I am satisfied with and the audience is satisfied with.

　

1905 movie network:In fact, you have worked with many great directors, such as Zhang Yimou, Wang Xiaoshuai, Er Dongsheng, etc. Are there any other directors you particularly want to cooperate with?

Yan Ni:In fact, I feel that actors are always chosen by others, no matter what kind of actor you are. As a person, I am willing to wait and wait for the heavens to descend on me, so I never want to think too much. If he falls on me, I can take down the role.

Why is the takeaway brother ＂life-threatening＂ flying？

　　Our reporter, Wen Lijuan

　　On the street, a group of takeaway electric vehicles sped by, shuttling between pedestrians and motor vehicles. Riders watched their mobile phones to navigate, racing against time, even speeding, retrograde, and running red lights…

　　This is the "Rule of Law Daily" reporter recently in Beijing, Haidian District, Chaoyang District, a number of commercial areas to interview the scene.

　　The rider Guo Kun was one of them. On November 4, the reporter met Guo Kun in a business district in Beijing’s Fourth Ring Road, where he would wait for takeaway orders at noon every day. At this time, it was the peak takeaway period, and he received four takeout orders. From the time of departure to the delivery of all meals, it had to be completed within 50 minutes.

　　Less than 2 minutes after leaving, Guo Kun got the first takeaway; after a quick transfer, he took another 6 minutes to get the second and third takeaways; then, he ran non-stop to the electric car and switched to the fourth takeaway, but this time it was not smooth. After arriving at the store, he found that the takeaway had not been packed and waited for 4 minutes to get it.

　　It has been 12 minutes since the order was placed and Guo Kun needs to deliver the four takeaways in the remaining 38 minutes. He ranks the most time-saving delivery order according to the location of each order and the delivery time limit, and one of the time-saving methods is to take shortcuts. He began riding an electric bicycle to accelerate over the dotted line of the road center and drive in the opposite direction, running a red light, and finally delivered the last takeaway to the customer before the deadline.

　　Throughout the delivery process, Guo Kun ran red lights twice and went retrograde three times, and the whole process exceeded 50 kilometers per hour many times.

　　"It’s not safe to run a red light, retrograde, and speed, but if you don’t do it, you won’t be able to deliver it on time. Which rider hasn’t run a red light? If the delivery is timed out, the deduction will be more than what you should earn." Guo Kun was helpless.

　　In fact, this is an "open secret" among riders. With the rapid growth of Internet food ordering, takeout delivery has become more and more convenient for people’s lives, but at the same time, the pursuit of speed has led riders to ignore traffic laws, and the accident rate has been high.

　　The reporter’s statistics found that the common traffic violations of takeaway riders include running red lights, taking motor vehicle lanes, driving in the opposite direction, speeding, etc. Some riders also have distracted driving behaviors such as looking at their mobile phones and answering calls during driving.

　　The interviewed experts suggested that to control the traffic violations and chaos of takeaway riders, it is advisable to strengthen supervision, linkage management, and early and strict treatment. It is not only necessary to stop and correct the traffic violations of takeaway riders on the road traffic scene, but also to start with the takeaway platform company. The responsibility for traffic law-abiding is decomposed and implemented to the platform company, which becomes a prerequisite for its operation. Traffic law-abiding is part of the rider’s access threshold, and more importantly, it is necessary to change and standardize the "life-threatening" rules of takeaway food delivery.

　　Explosive vehicle speeding retrograde

　　Crossing the road and running a red light

　　At about 5 pm on November 9, the peak time for takeaway riders to deliver food. At an intersection connecting a shopping mall with many office buildings and residential buildings in Chaoyang District, Beijing, takeaway riders walked through the traffic. The reporter observed that more than 30 riders passed through the intersection within 10 minutes, including as many as 18 people who went retrograde, crossed the road diagonally, and ran red lights.

　　There are many restaurants around the intersection, dozens of takeaway trucks fill the sidewalk, and pedestrians can only walk along the road. After the riders pick up the order, they ride their electric bicycles directly along the sidewalk and drive into the road.

　　Rider Li Hong often delivers takeout in this area, with a delivery radius of up to 5 kilometers, and the delivery time of an order varies from 30 to 60 minutes. He told reporters that during peak periods, a rider has six or seven orders on hand at the same time, and the delivery time is almost overlapping. To avoid timeout, the delivery time of each order can only be compressed as much as possible. The system will provide route navigation for each order, but the delivery time is calculated based on the shortest route, which includes the retrograde section. If it is not retrograde, it is impossible to deliver every order on time.

　　If the order is timed out, the price is high: a certain percentage of the delivery fee is deducted depending on the timeout, sometimes as high as 70%.

　　"Riders make hard money and have to be fast, so it’s not surprising to run red lights, go retrograde, and speed," Li Hong said.

　　He Tingting, a part-time rider, wanted to "obey the traffic rules honestly" when she first started the industry, but she repeatedly "seriously arrived late". The most memorable delay for her was on the 30th day of delivery.

　　That morning, after she woke up, she opened the takeaway order system, set the order range to within 5 kilometers, and received the first order of the day. After receiving the order, she found that the system sent her to a 5.9-kilometer place to pick up a fried chicken chop and deliver it to a company gate about 2.7 kilometers away. The time should not exceed 45 minutes.

　　It took 35 minutes to reach the shopping mall where the food was picked up, and 5 minutes to find the fried chicken shop on the negative floor of the shopping mall. At this time, the countdown to delivery was only 5 minutes. He Tingting’s new national standard electric car has a maximum speed of 25 kilometers per hour, which cannot be driven very fast. There are still many crossroads in the 5.9-kilometer journey that need to wait for traffic lights. In the end, she timed out 11 minutes, and the freight of 4.8 yuan was deducted by 3.8 yuan, and the overtime fine ratio reached 79%.

　　Once delivering fried chicken in the urban area, He Tingting ran into a rider who saw her car and said: "Your car can’t do it, it can’t run at all." He Tingting asked him: "How fast can your car go?" The other party replied that the speed was 68 kilometers per hour, and that some riders could reach speeds of more than 85 kilometers per hour after converting the electric car.

　　It is illegal to modify an electric car, but if it is not changed, although compliance will be timed out. "Riders have to be fast, because they live every day under the urging sound, urged by merchants, urged by customers, and urged by algorithms. We have no choice," He Tingting wrote in her official account, "Stranger Portrait Project" and "Riders Diary".

　　Traffic accidents are on the rise.

　　The rights of riders and passers-by are damaged

　　Riders often speed, retrograde, and run red lights, which directly results in an increasing number of traffic accidents involving riders.

　　Taking Shanghai as an example, public data show that in the first half of 2019, there were 325 road traffic accidents involving the express delivery industry in Shanghai; from the beginning of 2020 to December, there were more than 400 road traffic accidents involving the express delivery industry.

　　On the morning of November 10, the reporter witnessed a traffic accident caused by a rider. At about 11 o’clock that day, in a community in Chaoyang District, Beijing, a delivery rider riding an electric car focused on the mobile phone navigation. A passer-by walked in front of him. After the rider reacted, he turned quickly and slammed into the roadside guardrail. The takeaway in the incubator fell to the ground, and the rider also fell onto the road.

　　He Tingting has also seen many such scenes. She has seen a delivery guy who had two traffic accidents in one day; she has also seen a rider speeding when turning, encountering a car with the same speed, and the person was thrown out after the collision.

　　For riders, compensation is difficult to achieve after an accident.

　　The rider, Liu Lin, has a 5cm-long scar on the outside of his arm, which was left after he was hit by a car while delivering food. "The driver had insurance, and the insurance company asked me to provide proof of income to calculate the missed work fee. My monthly income at that time was about 10,000 yuan, but when I asked the platform for proof of income, the platform said it had nothing to do with them, and finally the insurance company paid according to the minimum wage standard," Liu Lin said.

　　He Tingting saw a photo in the rider’s social group. It was an electric car with a broken front and fell to the ground. It was a rider who took a selfie and sent it to the group after a car accident at the intersection. He rode the electric car straight, and the car that turned on the opposite side did not slow down. The rider braked sharply and collided with the car head-on, and one-third of the electric car’s front was lost. The rider sat on the ground, bruised and saved his life. The solution given by the insurance loss assessor is that if you are in a hurry to go back and make money, you can negotiate a settlement, pay for it quickly, and compensate for two days of missed work, 300 yuan.

　　The rights and interests cannot be guaranteed, and there are passers-by who were injured by takeaway riders.

　　Not long ago, Wang Pingping, who works in Beijing, was injured by a delivery rider on her way to start her business. The contract could only be cancelled, and the loss was not small. After the accident, the traffic police awarded the rider full responsibility for the accident, but the rider could not afford it personally. She wanted to find a platform company, but the other party ignored the responsibility.

　　"In order to avoid injury, I can only try to stay away from the takeaway riders." Wang Pingping sighed.

　　Zhang Cheng, a Beijing resident, feels the same way. He tries to stay away from takeaway riders when he walks on the road in the evening, but he still often hears takeaway electric cars roaring by his ears. Once, when he was thinking about something while walking, a takeaway electric car came from behind at high speed. By the time he felt a cool breeze in his ear, the car had already run a long way, "with an estimated speed of more than 80 kilometers per hour."

　　The assessment mechanism works secretly

　　Data compression delivery time

　　What is the reason for the takeaway riders to "risk their lives" for speed?

　　The reporter interviewed a number of riders and found that they were willing to take risks and repeatedly violate traffic regulations, on the one hand, to make more money by taking more orders, and on the other hand, to avoid overtime punishment.

　　At present, most food delivery platforms implement piece-rate wages, and riders’ income mainly comes from the commission of "running orders", and the more orders they receive, the more they earn. In addition, the status level of riders depends on the rider’s "bee value", which is calculated through multiple dimensions such as attendance, order volume, response rate, and praise rate. The higher the "bee value", the more orders they send. Riders desperately run orders to maintain data and compete for "bee value" because it is closely related to income.

　　The opposite of data care is data punishment – riders will be deducted for overtime; customers will also be deducted for complaints or bad reviews.

　　From June this year to the present, Guo Kun has timed out about 50 orders. The specific amount deducted will be determined by his platform according to the time: 10% to 20% of the delivery fee will be deducted for more than 8 minutes; more than 1 hour is a serious overtime, and the deduction ratio will be calculated separately. If you are complained about ordinary overtime, you will be fined more than 50 yuan.

　　Some riders also pointed out that the platform’s journey algorithm has many unreasonable aspects. For example, the delivery is calculated based on the distance, and the time will not be judged based on the speed of the merchant’s meal and the size of the meal.

　　Chen Long, a postdoctoral fellow in the Department of Sociology at Peking University, joined the team of takeaway riders to explore the reasons behind the chaos of riders’ riding. He found that in the process of rider delivery, the platform system collects data from riders, consumers, merchants, and business circles through smartphones and platform software, and applies this data to the management of delivery pricing, rider matching, estimated time, route planning, whole-process monitoring, quantitative assessment, etc. Under this management model, riders are strictly controlled.

　　In the system setting, the delivery time is the most important indicator, but in recent years, the delivery time of riders has been continuously compressed by the system.

　　"The average delivery time of orders has dropped from 38 minutes in 2015 to 31 minutes in 2016, and further shortened to 28 minutes in 2017… The continuous compression of time means that the speed of rider flow is accelerating. On the one hand, time compression is the result of technological progress, and on the other hand, it must be achieved through the object of technology – the rider." Chen Long proposed in the paper.

　　He Tingting also noticed the problem of the platform. In the late experience she remembered the most, the pickup and delivery distance added up to nearly 9 kilometers, and the system only gave her 45 minutes.

　　"Nearly 9 kilometers away, there are many crossroads, which means that as long as I abide by traffic laws, every time I wait for a traffic light, half a minute or a minute disappears in the countdown. With all kinds of scanning codes and finding directions, I drove the electric car to the maximum speed, and it exceeded 11 minutes." He Tingting said that such orders are not uncommon in ordinary times, appearing in the takeaway system row by row, and there are even orders for pickup and delivery up to 10 kilometers. The rider is required to deliver within 28 minutes, just short of hitting the "midnight flying car" on the public screen.

　　Dong Lai, a traffic law practice expert and director of Beijing Kaiya Law Firm, has long been concerned about the rights and interests of takeaway riders. He summarizes the reasons for the frequent occurrence of riders’ traffic violations. In addition to the riders’ own poor awareness of traffic rules and lack of safety education, platform dispatch models and algorithms are the main reasons.

　　"The platform delivery model is unreasonable and the deduction fee is too high. The monthly income of takeaway riders basically depends on the delivery fee. If you get a delivery fee of about 5 yuan for an order, then if you send 30 orders a day, the rider can earn 150 yuan; but if it expires, the rider will usually be deducted a certain proportion of the delivery fee; if the customer refunds the order, the rider needs to bear the full loss." Dong Lachao said that in addition, the platform has a single algorithm, and the estimated arrival time is too short, so the rider has to work hard to run. In order to appease users, the arrival time of the rider displayed on the user’s mobile phone is different from the arrival time on the rider’s mobile phone. The time on the user’s mobile phone is often one to two minutes earlier, which results in the rider having to run on the road in order not to get bad reviews.

　　In Dong Lachao’s opinion, the merchants who provide takeout are also one of the factors. "Many merchants are slow to eat, and they may have clicked’food preparation is complete ‘before they have eaten, which will lead to longer waiting time for riders, and the time on the road will naturally be squeezed."

　　Platform rules need to be optimized urgently

　　Linkage supervision is urgent

　　It is urgent to balance the contradiction between the "slowdown" and "income" of takeaway riders.

　　A person in charge of the China Bicycle Association pointed out that compared with ordinary consumers, the electric bicycles of takeaway riders are no longer just means of transportation, but production tools. They rely on the high speed and long mileage of electric bicycles to send orders and complete orders quickly to survive. In the future, it is necessary to develop and launch electric bicycle products suitable for takeaway riders, and constantly improve the relevant standard system.

　　Dong Lachao suggested that the platform adjust the assessment rules and optimize the algorithm. "At present, the food delivery platform has not established a complete set of mechanisms to encourage food delivery riders to reduce traffic violations, such as rewarding food delivery riders who have not committed traffic violations. We can make full use of big data intelligent analysis to formulate standards to remove the time spent on traffic congestion from the rider’s assessment, and at the same time disregard unreasonable bad reviews."

　　A number of interviewed experts and industry insiders pointed out that the management of traffic violations and chaos among takeaway riders cannot be separated from linkage supervision, one is the supervision of the platform, and the other is the supervision of riders.

　　In Dong Lachao’s opinion, it is urgent to improve relevant laws and standardize the legal relationship between platforms and riders.

　　"At present, the main body of management between riders and platform companies is not clear, and there are complex social management models, such as special delivery model, labor dispatch model, crowdsourcing model, individual model, agency model, etc., resulting in loose and lax management. Therefore, it is necessary to improve legislation to clarify the main body of management. When the rights and interests of riders or platform companies are damaged, they can get social relief with reasonable evidence and law." Dong Lachao said.

　　He also found that there is almost no compulsory traffic insurance for electric bicycles on the market. Many takeaway riders do not purchase insurance or the insurance amount is low. When a traffic accident occurs, it is very difficult for the injured party to recover compensation from the rider himself or the platform. Therefore, it is recommended to establish "electric vehicle compulsory traffic insurance".

　　"It is urgent to have a strict access system for the takeaway rider industry, and it is recommended that riders be licensed to work. Identify a social management body to train riders, and after the training, they will be certified to work, and the riders will be assessed every year. If the traffic violations reach a certain number of times, then the following year cannot pass the annual review, and effective supervision will be formed through source management," Dong Lechao said.

　　Zhang Zhuting, a professor at the Management Cadre College of the Ministry of Transport, believes that traffic violations by takeaway riders are a public safety issue, and the level of public safety governance should be improved, a large security framework should be established to promote the transformation to pre-emptive prevention, and a social governance system should be established.

　　"Take-away platform companies should effectively assume supervision responsibilities, incorporate rider traffic safety into the safety production system, establish a dual prevention system for safety production risk classification assessment and hidden danger investigation and management, regularly carry out road traffic safety knowledge training for take-away riders, and regularly publish road traffic safety warnings and warning cases, etc., to enhance the traffic safety awareness and rule of law awareness of take-away riders. At the same time, strictly check the means of transportation used by take-away riders, try to distribute vehicles uniformly, and regularly check the safety of transportation tools." Zhang Zhuting suggested that the public security traffic management department can also investigate and collect evidence based on the dynamic cruise equipment of the platform company, and investigate and punish the riders according to law.

　　As a deliveryman of the takeout service, although Zhang Cheng has some objections to the riders’ speed, he also suggested that customers should have a reasonable expectation of the estimated delivery time of the takeout, fully taking into account the time spent in traffic congestion, and giving riders more understanding. However, the rider’s speed should be regulated, such as how fast it is in the dead of night and how fast it is during the rush hour.

　　He also proposed an idea of whether "takeaway express rail" or "takeaway special lanes" could be considered in urban transportation planning, "so that there will be no space for pedestrians and vehicles, and the safety of takeaway riders can be better guaranteed."

　　(The riders in the text are all pseudonyms except He Tingting)　　

　　Cartoon/Li Xiaojun　　

What is the CPU of Huawei P7？ What is the CPU frequency of Huawei P7？

What is the CPU of Huawei P7?

　　The CPU of the Huawei P7 is its own HiSilicon Kirin 910T 1.8GHz quad-core processor.

　　In terms of taking pictures, the Huawei P7 has a wealth of photo options, including all the commonly used functions. Smart scene, HDR, continuous shooting selection and other functions are also quite practical, making it easier to take good photos in different scenes. In the locked screen state, double-click the volume button and press the button to take a quick capture. After taking a picture, the time of the fast capture will be displayed. Generally speaking, it takes between 1.2 seconds and 1.5 seconds for the fast capture to take a picture. So what is the CPU of the Huawei P7?　

　　　In addition, Huawei P7 has the function of floating button. The new version of the floating button adds a semi-transparent effect, with intelligent movement, automatic fading and other animation effects. The floating button can be opened in the drop-down shortcut menu, or in the system settings. The floating button has several functions: return, homepage, multiple windows on the same screen, lock screen, and memory cleaning. In the case of hiding the navigation key, you can use the floating button instead of the operation.

　　On the basis of hardware optimization, Huawei P7 is equipped with Huawei’s original and patented intelligent image professional image processing engine 2.0, which has in-depth optimization in camera shooting algorithms. For scenes with brighter light sources such as starlight and neon lights at night, Huawei P7 can intelligently judge the shooting scene, adaptively change some control parameters to reduce exposure, avoid overflowing the light source, and shoot a more transparent and clear picture.

What is the CPU frequency of Huawei P7?

　　The CPU frequency of the Huawei P7 is 1.8 GHz.

　　Huawei P7 has a built-in 2500mAh lithium polymer battery. In terms of mobile phone power management, Huawei P7 has added one-click power saving and comprehensive power consumption detection management, which can monitor the operation of mobile phone background applications at any time and choose to close and other operations. In addition, an extreme power saving mode is also added for users. When the power is remaining at 10%, the mobile phone is restored to the function machine mode, and only the function of calling and texting is retained.

What is the CPU frequency of Huawei P7?

　　In addition, the Huawei P7 can also be used with the Huawei smart bracelet to monitor sleep quality, manage sports and fitness data, and has functions such as mobile phone anti-theft management, remote photography, and even binding keys and mobile APP through the bracelet to help quickly retrieve keys hidden in corners.

　　According to the information provided, you can know what the CPU of Huawei P7 is. In terms of photography, Huawei P7 has optimized the phone to take pictures in an all-round way. The rear camera adopts the latest Sony back-illuminated IMX214 sensor lens and is equipped with an independent ISP (image processor) of SLR camera level. It has the exposure focus separation function only available in professional cameras, and the photosensitive performance is stronger.

Sleep regularly! Jolin Tsai revealed that he shot an MV in the early morning and made a bad face to the director

Jolin Tsai

Jolin Tsai

?? According to Taiwanese media reports on the 27th, Jolin Tsai’s concert ended successfully on the 27th. During an interview, she saw the work team wearing concert T-shirts, happily calling out like a family, and said with a smile: "I hate wearing uniforms at school, and I have a uniform fetish when I leave school."

??After the Taipei encore, many fans said that Kaohsiung also held a concert. Jolin Tsai said: "I don’t know, but many people have seen it, and they will want to give them something new. I also want the same, but [in my heart] I can’t get through it." This time, she led 16 foreign dancers to dance the new song "Stars Align" at the concert. The difficult floor movements surprised fans, and she also released the MV at the same time. When she asked about the MV behind- the-scene, Jolin Tsai revealed that she was angry and put on a big stinky face during the shooting.

??On the day of the MV shooting, Jolin Tsai once again felt that she was not suitable for filming, "Last time’Strange Beauty ‘was filmed at 5 am, I told myself not to live such a life. This time, the new song told the director that I would go to bed at 11 am, but that day at 2 am, I sat there waiting for the light to be adjusted, and suddenly asked what time it was.", Learning that it was early morning, she said that her face instantly stinks, and she finished the last shot angrily.

??Jolin Tsai admitted that he couldn’t stay up late to film, and was afraid of being accused of being a big name because of it, "I sleep regularly (at night), and the recording is also done. After 8 o’clock, the voice is tired, so I have to start early, and only people who are very familiar will see my face stink. The director is the only one who has seen my face stink, and he enjoys it exclusively. He is used to it."

??Xiao S was well received when she was a guest at her Kaohsiung show before. This time, Xiao S was not invited as a guest at the Taipei show. Xiao S recently filmed and cried. Talking about this matter, Cai Yilin admitted that she actually planned to find Xiao S to cooperate again at the beginning, but she couldn’t think of a suitable song in the short term, and hoped to have the opportunity to cooperate in the future. In addition, before singing "Rose Boy" at the end of each game, she would share her inner words with fans, which was regarded as chicken soup for the soul.

Pindao · Guo Fucheng ｜ On ＂Disconnection＂： It is right to work hard as an actor


1905 movie network feature What else can Hong Kong police films do? This weekend’s release provides an answer.The producer and director have boldly moved "financial crime" into the cyber world: actors travel through the screen to dive into the cyber forest, and fight against hackers in the dangerous dark web…



While the various visual wonders refreshed the audience, they also provided the starring actors with an unprecedented performance experience."It showed me a new way out for Hong Kong films, and it also created a new precedent for Chinese films," Guo Fucheng said.



At the same time, "Broken Network" also continued the action scenes that classic Hong Kong films are proud of. Close hand combat, street gun battles, and flying car blasts are all available. Guo Fucheng also did it himself throughout the process, and there was no complaint about "dangerous actions".


He admitted that he had not filmed such a high-intensity action scene in five years, but he still insisted on going into battle in person for the "real" fighting effect, "I think it is appropriate for actors to’work hard ‘, and you should fight for what the director requires!"



In his 34 years of filmmaking, Guo Fucheng has starred in dozens of works. "Seeking innovation and change" and "Daring to challenge" have always been the criteria for his role selection. This time, "Broken Network" is also the same.


"On the movie stage, my pursuit has always been not to be Guo Fucheng and to constantly challenge different characters. This original intention has not changed."


Change and Constant

"’Disconnected’ shows me a new way for Hong Kong films"


Mr. Kwok is a long-time acquaintance of producer Cheng Po Rui, who worked with the former on the "Journey to the West" series, and director Huang Qingxun, who later co-created realistic films with the duo.


What Guo Fucheng admires most is the spirit of courage to break through in the two of them. "Mai Passerby" is a rare realistic theme in Hong Kong films, focusing on the survival plight of marginalized people in society, and this time "Internet Disconnection" can be regarded as an innovation in the theme and shooting methods of Hong Kong-made police and gangster films.



When presenting the theme of Internet financial crimes, the film cleverly uses visual effects to visualize "cybercrime methods" such as money laundering crimes and virus intrusions, and even makes virtual and invisible dark net transactions appear on the screen.


This is also what attracted Guo Fucheng the most about "Broken Network". "Hong Kong movies have always been dominated by action, police and bandits, but in the new era, to give the audience a new sense of stimulation, this time the whole team has worked very hard to create the concept of Internet Forest. This shooting method has created a precedent, and it has also allowed me to see a new way out for Hong Kong movies."



In addition to the whimsical cyber world and the blood-curdling action scenes, the emotional part of "Broken Network" is also very full. Guo Fucheng plays the male protagonist who, in addition to his status as a programming expert, is also a father who loves his daughter as much as his life.


"I’ve never played a father, and everything is centered on his daughter. Because she has a congenital disease, everything he does is to protect her."



Mr. Kwok revealed that the special father-daughter relationship was a reflection of the screenwriter Zheng Borui’s own experience. "During the filming, Zheng Borui’s daughter also had a disease [tumor], and he was always in a state of beating his heart for his daughter. The character of Zhuo Jiajun is a person who loves movies and puts his own experience into movies."


In reality, as the father of two daughters, Guo Fucheng could empathize with this heavy fatherly love. "I put the mentality of being a father in reality and put more emphasis on the movie. He bears more responsibilities than ordinary fathers.



Refuse to repeat itself

"It’s right to work hard as an actor!"


"I haven’t filmed such a fight scene in five years," Guo Fucheng sighed about the super-high intensity of the action scenes in "Disconnected Network".Zhuo Jiajun, who he plays for most of the film, is in the extreme state of being chased and blocked by villains, sometimes fighting hand-to-hand in alleys, sometimes flashing on scaffolds, sometimes falling from the sky, landing heavily, and sometimes fighting in a room of less than a few square meters, hanging by a thread.



The audience was thrilled to see it, and the shooting process was equally thrilling. Guo Fucheng admitted that he was covered in bruises and sore after shooting every day. "After going home, he had to pretend that nothing had happened, saying’Dad is fine, ‘but his legs were already in pain."


Especially the scene where he had to pull the villain down by stepping on the broken glass, the risk factor was very high. "I’m not afraid of fists or swaggers, but that scene was the most thrilling, because you can’t control the glass, and it is very likely that the skin will be cut open after breaking."



In Guo Fucheng’s opinion, although there is a risk of injury, only by going into battle in person and punching to the flesh can the director meet the director’s requirements for "authenticity". This so-called "desperation" is also the actor’s job.


"I think it’s right to work hard as an actor. You should fight hard to achieve what the director wants, so that the audience can see the real fight."



Not only is it about breaking through oneself and challenging difficult action dramas, but "seeking innovation and change" has always been Guo Fucheng’s motto as an actor.


From early "idol" actors to those who gained mainstream recognition with other films, transforming into powerful characters, and then to the vivid characters in various police and gangster films, Guo Fucheng bluntly stated that the first criterion when choosing a role is not to repeat itself.


"I have two stages. On the stage of music, I only be myself and present the true side of Guo Fucheng to the audience, but on the stage of film, my pursuit is not to be Guo Fucheng, but to be a person (character) in the film," Guo Fucheng said. "I will definitely choose a role that I have not played before. I have no burden, have the courage to challenge, and am not afraid of failure."


"Favorites."


Along the way, Guo Fucheng has personally supported a large number of new directors, including Huang Qingxun, who has worked with him twice. He said that the most attractive thing about the new director is the drive of "the newborn calf is not afraid of the tiger", which also gives him more creative space.


Seeing these new directors grow up one after another, Guo Fucheng couldn’t help but secretly "itch", "They all have their own piece of sky, and sometimes they sit down and ask themselves, when will it be me!"



The seed of "director" had been germinating in Guo Fucheng’s heart for many years, and the script was constantly being polished. At present, it could be revealed that this would be a very comprehensive work.


Previously, it was reported that Guo Fucheng planned to fulfill his dream of directing before the age of 60. To this, he responded with a smile, "It’s not a matter of age. If you are someone who likes movies, even if you are in your 70s or 80s, as long as you have the ability and dream, you can do it!"


Online rumor ＂Running Man＂ 2024 lineup： Li Chen, Zheng Kai, etc. continue to star, Sha Yi withdraws

The new lineup of "Run" in 2024 is rumored on the Internet: Li Chen, Zheng Kai, Fan Chengcheng, Bailu, and Song Yuqi continue to participate; Zhou Shen and Zhang Zhenyuan are to be determined; Wang Zulan is talking, and Sha Yi quits Running Man.

Nomad Starry Sky

The first season of the variety show went LIVE in 2014 and has been online for seven seasons so far. The seventh season guests include Li Chen, Yang Ying, Zheng Kai, Sha Yi, Bailu, Zhou Shen, Fan Chengcheng, Song Yuqi, Han Geng, Su Xing, Wu Dajing, Zhang Jingyi, etc. Douban scored 7.1 points.

Nomad Starry Sky

Li Yuchun talks about cooperation with Deng Chao Qianxi 2021’s biggest regret is related to the concert

　　　　 Once again on the stage of the CCTV Spring Festival Gala, Li Yuchun said goodbye to "going it alone" and sang a vibrant song "Sense of the Times" with Deng Chao and Jackson Yee. During a previous chat with Sina Entertainment, Deng Chao once laughed that the three people who worked together for the first time often couldn’t match their eyes at the beginning of the rehearsal, and the "tacit understanding" was to be investigated. Li Yuchun analyzed that "because my personality with Qianxi is a little bit introverted, I may have to find a feeling", but "now it’s very good".

　　For a long time, repeated epidemics have hindered countless gatherings, which also made Li Yuchun regret in the past 2021: the concert was cancelled again. Recalling the happiest moment of the year, Li Yuchun believes that it was an online concert spontaneously created by fans to make up for regret: "This was completely unexpected to me, and it really moved me." The New Year is here, and one of her wishes is that the unfinished concert can be held smoothly.

　　The sense of the Spring Festival ceremony is to prepare plum blossoms, and to carry out a thorough cleaning before the New Year

　　Sina Entertainment: It’s Chinese New Year, how do you plan to celebrate the Spring Festival this year?

　　Li Yuchun: This year’s Spring Festival is to spend time with my family at home. Because I don’t have a lot of time with my family this year, I still want to take advantage of the Spring Festival to accompany them at home.

　　Sina Entertainment: Going back to Sichuan or picking up your family to Beijing for the Chinese New Year?

　　Li Yuchun: Back to Chengdu.

　　Sina Entertainment: Every year before going home for the Chinese New Year, will you tell me what to prepare at home?

　　Li Yuchun: No. I was wondering, did I ask my mother to prepare anything? It doesn’t seem too special.

　　Sina Entertainment: Do you particularly miss anything at home?

　　Li Yuchun: For example, yesterday I received a photo taken by my mother. Every year when the Spring Festival is approaching, a large plum blossom will be prepared at home, and the fragrance will remind me that the Chinese New Year is coming soon, so when she took it for me, I suddenly had that memory.

　　Sina Entertainment: Is this plum blossom a ritual of the Li family’s Chinese New Year?

　　Li Yuchun: I think so.

　　Sina Entertainment: Do you have any personal sense of ceremony?

　　Li Yuchun: No.

　　Sina Entertainment: Not at all?

　　Li Yuchun: Many of my childhood habits are more traditional, nothing special.

　　Sina Entertainment: Then share with us a habit that you continue to this day.

　　Li Yuchun: For example, before the New Year, I will clean my house very well. Hey, when I say it, I seem to have become a very manipulative person (laughs).

　　Sina Entertainment: Are you in charge of cleaning?

　　Li Yuchun: Yes, all the bedsheets and other things must be refreshed, including the possibility of wearing new clothes on the first day of the new year, which is a very traditional habit.

　　Sina Entertainment: So you clean up, Mom and Dad can eat melon seeds and watch.

　　Li Yuchun: No (laughs). Together.

　　Sina Entertainment: If I follow you back to your hometown for the Chinese New Year, teach me two auspicious dialects that can communicate with the elders.

　　Li Yuchun: I will teach you a difficult one. It is related to a blessing I sent today, because I just got that blessing before, but it is actually a bit difficult for Sichuan pronunciation, called Fu Hu Ji Xiang (Sichuan dialect pronunciation, the first two words are FU sound).

　　Sina Entertainment: "Fu Fu" is auspicious, in Sichuan dialect, right?

　　Li Yuchun: Yes, I find it very confusing to speak in Mandarin, but in Sichuan, it is "Fu Fu" and auspicious.

　　Sina Entertainment: If I give you a temporary exam question now and ask you to say a tongue twister, would you be OK?

　　Li Yuchun: Not OK! It’s difficult, I think.

　　Sharing the experience of cooperating with Deng Chao Jackson Yee, claiming that playing mahjong and grabbing red envelopes is not good

　　Sina Entertainment: Share your program at the CCTV Spring Festival Gala this year.

　　Li Yuchun: The song I sang is called "Sense of the Times". This time, it is a song that I collaborated with Deng Chaochao and Jackson Yee. It is a song full of youth and vitality.

　　Sina Entertainment: I interviewed Brother Chao before. He said that he was very nervous about going to the Spring Festival Gala for the first time. He also sent you WeChat to ask you what to do. Did you teach him any skills?

　　Li Yuchun: There are some communication skills, such as what to do if he forgets words, and what to do if he can’t remember some words. I said you can make up a dance to memorize it.

　　Sina Entertainment: So this rehearsal, do you think he took your approach?

　　Li Yuchun: Because he really performs differently every time, I think he is looking for the best state, and he may also try some different moves or something, so I don’t know which one is certain now.

　　Sina Entertainment: He also said that you have discussed it offstage, and you can make eye contact with each other on the stage, but it seems that during the previous rehearsals, the three of you never had the right eyes.

　　Li Yuchun: There will be a little bit, because after all, it is the first time to cooperate. In addition, Qianxi and I are a little introverted, so we may have to find a feeling. At the beginning, we didn’t get along a bit, but now we are doing well.

　　Sina Entertainment: Share the styling of this year’s CCTV Spring Festival Gala.

　　Li Yuchun: I think the style of this year’s CCTV Spring Festival Gala is very festive, a kind of festive Spring Festival Gala. This year because this song is also more positive and lively, the whole feeling is festive.

　　Sina Entertainment: In addition to watching the Spring Festival Gala, what other activities do you usually have to get together on New Year’s Eve?

　　Li Yuchun: Watching the Spring Festival Gala, chatting and eating, and Chengdu people playing mahjong.

　　Sina Entertainment: Are you at the table?

　　Li Yuchun: When there is a shortage of people, I will fill it up.

　　Sina Entertainment: How are you playing?

　　Li Yuchun: I really can’t.

　　Sina Entertainment: So who is the top mahjong player in your family?

　　Li Yuchun: I can’t say that about my mother.

　　Sina Entertainment: You’ve just revealed the answer.

　　Li Yuchun: I don’t think she can, but she thinks she can, but I definitely can’t.

　　Sina Entertainment: Anyway, I ranked myself third.

　　Li Yuchun: Let me rank a few, we have too many relatives in our family.

　　Sina Entertainment: When do you usually send out your Chinese New Year greetings?

　　Li Yuchun: New Year’s Eve or around the third day of the new year.

　　Sina Entertainment: Do you send personalized blessing text messages or copy and paste group messages?

　　Li Yuchun: I don’t copy and paste very much.

　　Sina Entertainment: Are you the type of person who spends a lot of time writing text messages?

　　Li Yuchun: Okay, I think it’s definitely better than copying and pasting.

　　Sina Entertainment: Do you send red envelopes to everyone? When is it usually sent?

　　Li Yuchun: I will not send red envelopes to the elders, but to the younger generation, children at home, colleagues in the company, or my good friends.

　　Sina Entertainment: Are you a generous friend?

　　Li Yuchun: Sending red envelopes is an unlimited thing, and I dare not say that I am generous.

　　Sina Entertainment: It’s good that everyone is happy, and you have fun grabbing red envelopes.

　　Li Yuchun: Yes.

　　Sina Entertainment: Do you have any chance to grab red envelopes in some groups now?

　　Li Yuchun: I can grab red envelopes in our elders’ group, because the young people’s group moves quickly and the number is limited, which is usually the case. But the elders generally take care of a lot, and sometimes there will be more, just the kind that has been left there and no one grabs it. You can pick up a few.

　　Sina Entertainment: It feels like you’re picking up the leak.

　　Li Yuchun: Yes.

　　Sina Entertainment: So is it good luck to pick up red envelopes every time?

　　Li Yuchun: Not so good.

　　2021 Annual Summary: The most regrettable concert cancellation, the happiest to see fans organize online activities

　　Sina Entertainment: What are the low moments or regrets in 2021?

　　Li Yuchun: The concert has been cancelled again.

　　Sina Entertainment: So how did you spend those days yourself?

　　Li Yuchun: I spent it in a comprehensive mood, including being particularly depressed, irritable, and crazy. There are not only one state of ups and downs.

　　Reporter: I hope to hold this concert if I have the opportunity this year.

　　Li Yuchun: Yes.

　　Sina Entertainment: What are the moments that make you feel happy in 2021?

　　Li Yuchun: Before the concert was completed, the fans held an online concert, which was completely unexpected for me and really moved me.

　　Sina Entertainment: Are there any small tears?

　　Li Yuchun: It’s a little more joyous, but when I think about some of the things behind it, I feel really touched and moved.

　　Sina Entertainment: Share one of the most memorable work experiences of 2021.

　　Li Yuchun: I think it should be to participate in the 100th anniversary of the founding of the party. That work experience is indeed something I have not experienced since I started my career. Rehearsing with everyone and participating in a performance at a very important moment will be quite unforgettable when I think about it.

　　Sina Entertainment: What if you want to challenge something that has never been done before in 2022?

　　Li Yuchun: I didn’t think about it.

　　Sina Entertainment: Challenge to sweep the building at the office of Sina Entertainment.

　　Li Yuchun: Okay, I’ll go sweep the building when I release the album!

　　Sina Entertainment: Finally solitaire, a question for the next artist who comes to chat with us.

　　Li Yuchun: Do you want to go sweeping together? Is that okay? I don’t know who was dragged into the water by me.

　　Sina Entertainment: Answer the question of the last artist Wang Mian, when can I collaborate with Wang Mian on a music talk show?

　　Li Yuchun: He can’t do this casually, right? There are certain difficulties. I’ve seen his performance, and I think it’s quite interesting, and he also plays and sings by himself, so I think it’s possible, because it’s not a ballet or something, I can’t do it, I think it can still be done.

　　(Yiwen/Wen Wang Yuanhong/Photography, Wang Cian/Videography)

Jay Chou, even the stinky beauty is unparalleled

　　"Who am I?" "Jay Chou!" Last night, at Jay Chou’s first concert in Chengdu, when he asked this idiot question as soon as he opened his mouth, and the 30,000 people in the audience answered like crazy, he could only prove two points: Zhou Dong is really popular, and Zhou Dong is really stinky. However, after watching the performance for more than two hours, I believe that no one will scoff at his stinky beauty anymore. In addition to singing more than 20 of Zhou’s golden songs written by himself, this big boy can play the piano, the guzheng, the guitar, and play in front of the drum set. Amazing: Zhou Dong, what else can you not do? Last night’s concert was more like Chairperson Zhou’s amusement park. He had a great time, and 30,000 people followed suit.


　　"Golden Armor" is imposing like a rainbow


　　Prelude: In the backdrop of fire trees and silver flowers, he appeared on the main stage wearing purple robes and long plumes, incarnated as Prince Jie in the movie "The City is Full of Golden Armor", and sang the imposing "Golden Armor".


　　Review: Overbearing


　　Perhaps it was this performance that Chengdu’s fans had been looking forward to for too long, and last night’s performance established a majestic momentum as soon as it opened. At 7:30 pm, huge mechanical arms stretched out from both sides of the stage, and at the same time, 20 beams of fireworks dragon claws rose into the air, lighting up the night sky of Chengdu. Against the backdrop of fire trees and silver flowers, Jay Chou appeared on the main stage in purple robes and long plumes, incarnated as Prince Jie from the movie "The City is Full of Golden Armor", and sang "Golden Armor", and the audience below the stage began to chant "Jay! Jay!" and such enthusiasm was just the beginning. The next song "Peerless", he used a Vitas-like falsetto singing, which was shocking. Subsequently, "listen to my mother’s words", "thousands of miles away", "blue and white porcelain", "rainbow" and other songs, each song is 30,000 audience accompanied by Jay Chou to sing.


　　"Transformers" has a lot of unique skills


　　Prelude: Guitar, Piano, Guzheng, Diabolo Shaking… Jay Chou, who is proficient in all 18 martial arts, told everyone that I, Jay Chou, am not a false name!


　　Review: talented


　　I have to say that Jay Chou was really handsome on stage last night. This was not just because he changed nearly 12 sets of gorgeous costumes before and after the stage, including handsome denim clothes, rock style fur vests, white Mao suits, golden dragon embroidered robes, etc., which dazzled the audience. I also want to say that for the first time, I found that Jay Chou is really talented. He can not only sing, but also play the piano, play the guzheng, play the guitar, play the piano with the "bullet head" in Nanquan Mom, fight the drum with the drummer, shake the diabolo and play nunchucks… He took great pains to show them on the stage one by one. However, compared with Jacky Cheung’s ability to speak and sing, and his cold little humor made the audience laugh, Jay Chou rarely "greeted" in the whole performance last night, but he would show a piece of his diligent dance in each segment: cowboy dance, jazz dance, martial arts dance, veneer dance. Unsatisfied, he also invited a 9-year-old child star baby to dance with him on the spot, winning bursts of applause.


　　"Kangding Love Song" has a unique flavor


　　Prelude: The first time I come to Chengdu to sing, I naturally have to give some gifts to fans. "Kangding Love Song" is simple and easy to sing. It has a unique flavor after being interpreted by Jay Chou.


　　Review: Personality


　　The enthusiasm of Chengdu Jay fans greatly moved Jay Chou, so much so that in order to satisfy his "stinky beauty" complex, from the fourth song "Back", soon after, Jay Chou would squint his eyes, crooked his mouth to the microphone and loudly asked the fans: "Who am I?" After receiving a satisfactory answer, he would open his already small eyes, and then under everyone’s gaze, his eyes would smile into a line. In order to give back the favor of fans, at 9:30 pm, the immersed Jay Chou took to the stage again with his guitar, "This is the first time I come to Chengdu to sing, and I also want to give some gifts to the fans." It turned out that Jay Chou played and sang the Sichuan folk song "Kangding Love Song", which moved the audience very much. It is reported that this song was temporarily arranged in the concert last night, and even at the last moment of the stage, when Jay Chou walked to the stage, the security guard around him was still teaching him to sing sentence by sentence. However, it is a little regrettable that the Sichuan version of "Nunchaku" was changed beyond recognition by him. From beginning to end, the reporter only heard two words clearly: Three Kingdoms.


　　"Nunchakus" ends with fireworks


　　Prelude: Nunchaku, or the normal version sounds better!


　　Review: Young and old eat it all


　　Last night, Jacky Cheung also cheered in the air, singing "Listen to Mom" in the VCR to help Jay Chou. And the guest of the concert "Nanquan Mom" was also greatly treated by the audience. They sang songs such as "Laughing and Tears" and "Mudanjiang" last night. Fans love my dog, love me responded warmly, which made "Nanquan Mom" very excited. At 10 pm, there was a two-minute dark field at the scene. At this time, the fans were a little stunned. Some people thought the concert was over and left one after another, but most of the fans began to shout Jay Chou’s name. Sure enough, a melodious piano sound came out. Jay Chou played "Hair Like Snow" with the guzheng. The audience began to sing collectively, and the audience who had left the venue flocked back to the venue like a tide. Then Jay Chou disappeared again. This time, no one left the fans, and they kept calling "Jay". Finally, it ended with a song "Nunchaku" and gorgeous fireworks. After the song ended, the audience was still haunted by reluctance to part.

Editor in charge: Zhang Renhe